"Kammermusik No. 1, Op.24 No.1: III. Quartett. Sehr langsam und mit Ausdruck" by Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker was released on October 1, 2007. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Paul Hindemith, Claudio Abbado's "Hindemith: Kammermusik 1-7 & Der Schwanendreher" album is number 3 out of 31. Kammermusik No. 1, Op.24 No.1: III. Quartett. Sehr langsam und mit Ausdruck is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kammermusik No. 1, Op.24 No.1: III. Quartett. Sehr langsam und mit Ausdruck by Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker to be Adagio (slowly with great expression) because the track has a tempo of 68 BPM, a half-time of 34BPM, and a double-time of 136 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet in G Minor, Op. 10: I. Animé et très décidé | Claude Debussy, Quatuor Ébène | F♯ Minor | 0 | 11A | 84 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Der Genesende | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Major | 3 | 8B | 83 BPM | ||
Six Pieces For Orchestra, Op. 6 - Original Version (1909): I. Etwas bewegt | Anton Webern, Berliner Philharmoniker, Pierre Boulez | B Major | 0 | 1B | 167 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: IV. Adagio | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | D Major | 1 | 10B | 82 BPM | ||
Symphony In D Minor: 3. Allegro non troppo | César Franck, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | A Major | 2 | 11B | 73 BPM | ||
Suite for Flute and Piano Op. 34 No 1: I (moderato) | Charles-Marie Widor, Emmanuel Pahud, Eric Le Sage | D♭ Major | 1 | 3B | 109 BPM | ||
Fontane di Roma, P. 106: I. La fontana di Valle Giulia all'alba | Ottorino Respighi, New York Philharmonic, Giuseppe Sinopoli | F♯ Major | 2 | 2B | 73 BPM | ||
Divertimento for Strings, BB 118 (Sz.113): III. Allegro assai | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | ||
Cortege | Lili Boulanger, Olivier Charlier, Emile Naoumoff | E Major | 3 | 12B | 108 BPM | ||
Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse) | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | C Minor | 0 | 5A | 83 BPM |
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