Joseph Haydn, Lang Lang made "Piano Sonata in C Major, Hob. XVI:50: 3. Allegro molto - Live" available on April 13, 2020. The duration of Piano Sonata in C Major, Hob. XVI:50: 3. Allegro molto - Live is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Piano Sonata in C Major, Hob. XVI:50: 3. Allegro molto - Live's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Work From Home With Haydn by Franz Joseph Haydn. The song's track number on the album is #55 out of 88 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Piano Sonata in C Major, Hob. XVI:50: 3. Allegro molto - Live's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Piano Sonata in C Major, Hob. XVI:50: 3. Allegro molto - Live by Joseph Haydn, Lang Lang has a tempo of 145 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Piano Sonata in C Major, Hob. XVI:50: 3. Allegro molto - Live being at 145 BPM, the half-time would be 72 BPM with a double-time of 290 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Fugal Concerto, Op. 40: II. Adagio | Gustav Holst, Anna Pyne, Philip Harmer, English Sinfonia, Howard Griffiths | D Major | 1 | 10B | 60 BPM | ||
Overture (Suite) No. 2 in B Minor, BWV 1067: V. Polonaise - Double | Johann Sebastian Bach, Akademie für Alte Musik Berlin | B♭ Minor | 0 | 3A | 125 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, The Heavens are Telling the Glory of God | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D Major | 1 | 10B | 74 BPM | ||
Concerto for Bassoon, Strings & Continuo in B-Flat Major, RV. 501, "La Notte": IV. Allegro: Sorge l’Aurora | Antonio Vivaldi, Peter Whelan, La Serenissima | F Major | 2 | 7B | 118 BPM | ||
Piano Sonata No. 20 In A Major, D.959: III. Scherzo (Allegro vivace) | Franz Schubert, Krystian Zimerman | D Major | 1 | 10B | 118 BPM | ||
From Holberg's Time, Op. 40: V. Rigaudon: Allegro con brio | Edvard Grieg, Moscow Soloists, Yuri Bashmet | C Major | 0 | 8B | 109 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Symphony in A Major, J-C 62: I. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 3 | 4B | 119 BPM | ||
Grand Overture in B-Flat Major, Op. 18, No. 2, W. G9: III. Presto | Johann Christian Bach, Budapest Failoni Chamber Orchestra, Hanspeter Gmür | G Minor | 1 | 6A | 135 BPM |
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