"The Creation, Hob.XXI,2: Pt. 1, The Heavens are Telling the Glory of God" by Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers was released on 2015. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Joseph Haydn, Handel & Haydn Society, Harry Christophers's "Haydn: The Creation & The Paris Symphonies" album is number 14 out of 56. On top of that, United Kingdom appears to be the country where this track was created. The Creation, Hob.XXI,2: Pt. 1, The Heavens are Telling the Glory of God is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Creation, Hob.XXI,2: Pt. 1, The Heavens are Telling the Glory of God by Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Thou knowest Lord | Henry Purcell, Choir of Clare College, Cambridge, Timothy Brown | B♭ Major | 0 | 6B | 135 BPM | ||
Monteverdi : Beatus vir | Claudio Monteverdi, Edward Higginbottom, Capricorn, Choir of New College, Oxford | C Major | 1 | 8B | 106 BPM | ||
The Creation, Hob.XXI,2: Pt. 3, Graceful Consort! | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Matthew Brook, Harry Christophers | B♭ Major | 0 | 6B | 120 BPM | ||
Ave Maria, WAB 6 | Anton Bruckner, St. Bride's Church Choir, Fleet Street, Matthew Morley, Robert Jones | D Major | 0 | 10B | 133 BPM | ||
Chichester Psalms: I. Psalm 108 vs. 2, Psalm 100 | Leonard Bernstein, Jeremy Budd, Paul Charrier, Elizabeth Franklin-Kitchen, Thomas Kelly, Victoria Nayler, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 70 BPM | ||
Where the Bee Sucks | Thomas Arne, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Major | 1 | 2B | 70 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | ||
Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Edith Lienbacher, Alexander Kaimbacher, Anton Scharinger, Erhard Nowak, Vienna Chamber Choir, Orpheus Orchester Wien, Johannes Prinz | A Major | 0 | 11B | 77 BPM | ||
Cello Concerto in D Major, RV 403: III. Allegro | Antonio Vivaldi, Guy Fishman, Handel & Haydn Society | F♯ Major | 5 | 2B | 129 BPM | ||
Salve Regina in C minor (1736): 3. Eja ergo | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 93 BPM |
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