- BPM
- 70
- Key
- F♯ Major
- Camelot
- 2B
Where the Bee Sucks - Thomas Arne, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers Information
- Acousticness
- 96%
- Danceability
- 57%
- Energy
- 6%
- Instrumentalness
- 0%
- Liveness
- 16%
- Loudness
- 63%
- Speechiness
- 5%
- Valence
- 60%
- Popularity
- 10%
- Loudness
- -21.912 dB
Summary
Thomas Arne, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers made "Where the Bee Sucks" available on January 1, 2007. The duration of Where the Bee Sucks is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Where the Bee Sucks's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 16 in Eternal Light by Elin Manahan Thomas. Where the Bee Sucks is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Where the Bee Sucks BPM
The tempo marking of Where the Bee Sucks by Thomas Arne, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Where the Bee Sucks Key
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Gloria, FP 144: 4. Domini Fili Unigenite | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | G Major | 2 | 9B | 113 BPM | |
 | Requiem, Op. 9: III. Domine Jesu Christe (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge | D Major | 1 | 10B | 137 BPM | |
 | Like as the Hart | Herbert Howells, The Sixteen, Harry Christophers | C Major | 0 | 8B | 82 BPM | |
 | Se Florindo è fedele (from "La donna ancora è fedele") | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 75 BPM | |
 | Cantata Memoria: Pitran, Patran | Karl Jenkins, Elin Manahan Thomas, Côr Heol y March, Cor Y Cwm, Cywair, Cor Caerdydd, Cf1, Catrin Finch, Jody Jenkins, Sinfonia Cymru | A Major | 2 | 11B | 120 BPM | |
 | Ave verum corpus - (Motet) | William Byrd, The Sixteen, Harry Christophers | G Minor | 1 | 6A | 83 BPM | |
 | Ein deutsches Requiem (A German Requiem), Op. 45: III. Herr, lehre doch mich | Johannes Brahms, Katherine Fuge, Matthew Brook, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | D Major | 2 | 10B | 67 BPM | |
 | Os justi | Anton Bruckner, Voces8 | C Major | 0 | 8B | 138 BPM | |
| Cantata Memoria: Lament for the Valley | Karl Jenkins, Bryn Terfel, Elin Manahan Thomas, Côr Heol y March, Cor Y Cwm, David Childs, Joo Yeon Sir, Jody Jenkins, Sinfonia Cymru | D Minor | 3 | 7A | 127 BPM | |
 | Suite Les Paladins, RCT 51: 9. Menuet en rondeau I-II | Jean-Philippe Rameau, Orchestra of the Age of Enlightenment, Gustav Leonhardt | F♯ Major | 0 | 2B | 95 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7143380641937256
End: 0.7199192047119141