"Requiem, Op. 9: III. Domine Jesu Christe (1961 Version)" by Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge was released on September 9, 2016. Since Requiem, Op. 9: III. Domine Jesu Christe (1961 Version) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 18 in Duruflé: Requiem, Four Motets, Messe Cum Jubilo by Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge. Based on our statistics, Requiem, Op. 9: III. Domine Jesu Christe (1961 Version)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Requiem, Op. 9: III. Domine Jesu Christe (1961 Version) by Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: 3. Sanctus | Gabriel Fauré, Choir of St. John's College, Cambridge, Stephen Cleobury, Academy of St. Martin in the Fields, George Guest | D Minor | 0 | 7A | 170 BPM | ||
Gloria: 1. Gloria | Francis Poulenc, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | B♭ Major | 2 | 6B | 130 BPM | ||
Three Songs Of Faith: I Will Wade Out | Eric Whitacre, Eric Whitacre Singers | E♭ Major | 1 | 5B | 80 BPM | ||
Vesperae solennes de confessore in C, K.339: 1. Dixit Dominus Domino meo | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Elizabeth Bainbridge, Ryland Davies, Gwynne Howell, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | C Major | 3 | 8B | 137 BPM | ||
Messe basse: IV. Agnus Dei | Gabriel Fauré, Stephen Cleobury, Tom Etheridge, Ensemble of King's College, Cambridge | D Minor | 0 | 7A | 170 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Tallis: Salvator Mundi, Salva Nos I | The Tallis Scholars, Peter Phillips | E Major | 2 | 12B | 95 BPM | ||
Requiem, Op. 9: VII. Lux Aeterna (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge | B♭ Major | 0 | 6B | 144 BPM | ||
Motets: De ore prudentis | Gregorio Allegri, A Sei Voci, Bernard Fabre-Garrus | D Minor | 1 | 7A | 71 BPM | ||
Hymne au soleil | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | D Major | 1 | 10B | 131 BPM |
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