Biagio Marini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero made "Affetti musicali, Op. 1: No. 27, La Martia" available on January 1, 1994. With Affetti musicali, Op. 1: No. 27, La Martia being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Biagio Marini, Massimo Lonardi, Conserto Vago's "Marini: Affetti Musicali" album is number 27 out of 28. On top of that, Italy appears to be the country where this track was created. In terms of popularity, Affetti musicali, Op. 1: No. 27, La Martia is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Affetti musicali, Op. 1: No. 27, La Martia by Biagio Marini, Marino Lagomarsino, Ernest Braucher, Marco Vitali, Ero Maria Barbero to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Telemann: Der getreue Music-Meister, No. 36, Basson Sonata in F Minor, TWV 41:f1: IV. Vivace | Georg Philipp Telemann, Ton Koopman, Marc Vallon, Jaap Ter Linden | B Minor | 6 | 10A | 124 BPM | ||
Violin Sonata in E Minor, Op. 5 No. 3: I. Largo | Jean-Marie Leclair, Adrian Butterfield, Sarah McMahon, Silas Wollston | A Major | 4 | 11B | 125 BPM | ||
Hexachordum Apollinis: No. 2 in E Minor, Aria & 5 Variations, P. 194 | Johann Pachelbel, Enrico Bissolo | E Minor | 3 | 9A | 74 BPM | ||
Concerto grosso in B-Flat Major, Op. 1 No.3: II. Allegro | Pietro Locatelli, Orchestre De Chambre De Toulouse, Gilles Colliard | A Major | 3 | 11B | 99 BPM | ||
Flute Concerto No. 2 in C Minor: III. Courante a l'Italienne - croches egales | Michel Pignolet de Montéclair, Barthold Kuijken, Wieland Kuijken, Robert Kohnen | D♭ Major | 1 | 3B | 179 BPM | ||
Sonata in D Major, Op. 1 No. 13, HWV 371: IV. Allegro | George Frideric Handel, Bojan Čičić, Steven Devine | A♭ Major | 3 | 4B | 122 BPM | ||
Scherzi e canzonette, Op. 5: Canzon 1 a 4 | Biagio Marini, Corde | C Major | 1 | 8B | 72 BPM | ||
Violin Sonata in G Major, RV 24: III. Adagio | Antonio Vivaldi, Marino Lagomarsino, Conserto Vago | C Major | 9 | 8B | 162 BPM | ||
Sinfonia in F major: 1. Comodo | Giovanni Battista Pergolesi, Peter Howard, Joshua Koestenbaum, Christopher Hogwood | F Major | 0 | 7B | 127 BPM | ||
Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: II. Allegretto - Corrente | Alessandro Stradella, Reinhold Friedrich, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 79 BPM |
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