"Scherzi e canzonette, Op. 5: Canzon 1 a 4" by Biagio Marini, Corde was released on October 1, 2010. The duration of Scherzi e canzonette, Op. 5: Canzon 1 a 4 is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Scherzi e canzonette, Op. 5: Canzon 1 a 4's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 18 in Echoes from Venice by Biagio Marini, Corde. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Scherzi e canzonette, Op. 5: Canzon 1 a 4 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Scherzi e canzonette, Op. 5: Canzon 1 a 4 by Biagio Marini, Corde is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marini: Per ogni sorte di strumento musicale, Op. 22, No. 1, Balletto primo: II. Gagliarda | Biagio Marini, Quartetto Italiano | F♯ Major | 1 | 2B | 139 BPM | ||
Sonata No. 1 in F Major, ZWV 181, 1: I. Adagio ma non troppo | Jan Dismas Zelenka, Theo Plath, Armand Djikoloum, Olivier Stankiewicz | F Major | 1 | 7B | 143 BPM | ||
3e livre de viole: Grand Ballet (Extrait du IIIe Livre) | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Evangelina Mascardi, Luca Guglielmi | A♭ Minor | 0 | 1A | 101 BPM | ||
Canzona trigesima quinta "detta l’Alessandrina" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | D Minor | 1 | 7A | 64 BPM | ||
Abdelazer, Z, 570: Rondeau | Henry Purcell, Oslo Circles | D♭ Minor | 0 | 12A | 110 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM | ||
San Giovanni Battista: Overture | Alessandro Stradella, Nereydas, Javier Ulises Illán | D Major | 2 | 10B | 61 BPM | ||
Cello Sonata No. 3 in C Major: III. Amoroso | Alessandro Scarlatti, Guadalupe López-Íñiguez, Markku Luolajan-Mikkola, Olli Hyyrynen | D♭ Major | 2 | 3B | 120 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: II. Courante I | Robert de Visée, Jean Rondeau | D♭ Minor | 1 | 12A | 140 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM |
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