- BPM
- 140
- Key
- D♭ Minor
- Camelot
- 12A
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: II. Courante I - Robert de Visée, Jean Rondeau Information
- Acousticness
- 81%
- Danceability
- 31%
- Energy
- 14%
- Instrumentalness
- 80%
- Liveness
- 13%
- Loudness
- 52%
- Speechiness
- 4%
- Valence
- 38%
- Popularity
- 21%
- Loudness
- -28.802 dB
Summary
Robert de Visée, Jean Rondeau's 'De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: II. Courante I' came out on May 29, 2020. With De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: II. Courante I being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 20 in Barricades by Jean Rondeau, Thomas Dunford. Based on our statistics, De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: II. Courante I's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: II. Courante I BPM
The tempo marking of De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: II. Courante I by Robert de Visée, Jean Rondeau is Allegro (fast, quick, and bright), since this song has a tempo of 140 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: II. Courante I Key
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Forqueray, A: Pièces de viole, Suite No. 5 en ut mineur: VI. La Sylva. Très tendrement | Antoine Forqueray, Jean Rondeau | B Minor | 1 | 10A | 83 BPM | |
 | Chacony in G | John Blow, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 2 | 2B | 120 BPM | |
 | Le Rossignol en Amour | François Couperin, Dorothee Oberlinger | D♭ Major | 0 | 3B | 84 BPM | |
 | Sonata a tre in re maggiore: III. Vivace | Giovanni Battista Bassani, Musica Antiqua Latina | D♭ Major | 2 | 3B | 183 BPM | |
 | Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | |
 | Recorder Sonata in A Minor: III. Tempo di Minuetto | Diogenio Bigaglia, Dan Laurin, Parnassus Avenue | B Major | 1 | 1B | 97 BPM | |
 | Viola da Gamba Suite in D Major: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Major | 0 | 3B | 98 BPM | |
 | Les Indes galantes, Prologue, Scène 2: Entrée des 4 nations | Jean-Philippe Rameau, Les Arts Florissants, William Christie | E♭ Minor | 0 | 2A | 169 BPM | |
 | Sonata sesta for violino solo: III. Adagio | Daniel Purcell, Théotime Langlois de Swarte, Thomas Dunford | E Minor | 1 | 9A | 132 BPM | |
 | Sonata VII A Cinque In A Major: Adagio, Allegro, Allegro, Allegio, Adagio, Allegro, Adagio (Schmelzer) | Johann Heinrich Schelmzer, Masques, Olivier Fortin | A♭ Major | 1 | 4B | 112 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6464693546295166
End: 0.651160717010498