"Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: II. Allegretto - Corrente" by Alessandro Stradella, Reinhold Friedrich, Budapest Strings, Karoly Botvay was released on January 1, 1998. With Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: II. Allegretto - Corrente being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 7 out of 25 in Bach, J.S.: Jauchzet Gott in Allen Landen / Melani, A.: Qual Mormorio Giocondo / Scarlatti, A.: Su Le Sponde Del Tebro by Ruth Ziesak, Karoly Botvay. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: II. Allegretto - Corrente is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: II. Allegretto - Corrente by Alessandro Stradella, Reinhold Friedrich, Budapest Strings, Karoly Botvay is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: III. Adagio | George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 103 BPM | ||
Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: I. A tempo giusto | George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields | E Minor | 1 | 9A | 103 BPM | ||
Sinfonia No. 9 in G Minor, RosS 533.9: IV. Adagio | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | A Major | 1 | 11B | 41 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: II. Allemanda | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | E♭ Minor | 1 | 2A | 137 BPM | ||
Sonata in D for 2 Trumpets, Strings and Continuo: 1. Grave | Petronio Franceschini, Håkan Hardenberger, Reinhold Friedrich, I Musici | D Major | 2 | 10B | 82 BPM | ||
Sonata No. 11 in G Minor: IV. Allegro | Francesco Mancini, Claudio Ferrarini | C Minor | 4 | 5A | 129 BPM | ||
Harpsichord Concerto in A Major: I. Allegro | Carlos Seixas, Janos Sebestyen, Franz Liszt Chamber Orchestra, János Rolla | A♭ Major | 7 | 4B | 74 BPM | ||
Organ Concerto No. 6 in B-Flat Major, Op. 4, No. 6, HWV 294 (version for harp and orchestra): I. Allegro | George Frideric Handel, Andrea Vigh, Budapest Strings, Karoly Botvay | B♭ Major | 1 | 6B | 95 BPM | ||
Organ Concerto in G Major, BWV 592 (Excerpts Arr. J. & T. Steenbrink for Chamber Ensemble): III. Presto | Johann Sebastian Bach, Holland Baroque | F♯ Major | 2 | 2B | 120 BPM | ||
Sonata a 4 in D Major, WoO 4: II. Allegro | Arcangelo Corelli, Ede Inhoff, Hungarian State Opera Chamber Orchestra | D Major | 1 | 10B | 96 BPM |
Section: 0.5941870212554932
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