"Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: III. Adagio" by George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields was released on March 22, 2024. The duration of Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: III. Adagio is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: III. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner's "Handel: Concerti Grossi, Op. 6 Nos. 12, 1, 4 & 6" album is number 8 out of 17. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: III. Adagio is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto grosso No. 1 in G Major, Op. 6/1, HWV 319: III. Adagio by George Frideric Handel, Sir Neville Marriner, Norman Nelson, Gerald Jarvis, Anthony Howard, Kenneth Heath, John Churchill, Academy of St. Martin in the Fields to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Concerti Armonici / No. 5 in F Minor: IV. A tempo giusto | Unico Wilhelm van Wassenaer, I Musici | E♭ Major | 3 | 5B | 115 BPM | ||
12 Concerti grossi After Corelli, No. 4 in F Major, H. 135: IV. Adagio | Francesco Geminiani, Boston Baroque, Martin Pearlman | D♭ Minor | 1 | 12A | 132 BPM | ||
6 Sonatas, ZWV 81, No. 6 in C Minor: II. Allegro | Jan Dismas Zelenka, Stefan Schilli, François Leleux, Marco Postinghel, Philippe Malfeyt, Beatrice Martin, Heinrich Braun | A♭ Major | 2 | 4B | 101 BPM | ||
Concerto grosso in F Major, Op. 6, No. 2 HWV 320: IV. Allegro, ma non troppo | George Frideric Handel, Simon Standage, Elizabeth Wilcock, Anthony Pleeth, David Reichenberg, Sophia McKenna, Jeremy Ward, Robert Woolley, Trevor Pinnock, The English Concert | D Minor | 2 | 7A | 134 BPM | ||
La serva padrona, symphonia avanti l'opera: Allegro | Giovanni Battista Pergolesi, Ensemble Baroque de Nice, Gilbert Bezzina, Isabelle Poulenard, Philippe Cantor | A♭ Major | 1 | 4B | 110 BPM | ||
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: II. Les plaisirs | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Postcard Greetings: No. 2. Hungarian wedding dance | Jenö Takács, Attila Szabó, Gyor Dodici Chamber Orchestra | G Major | 0 | 9B | 99 BPM | ||
Streichquartett B-Dur, op. 130: IV. Alla danza tedesca - Allegro assai | Ludwig van Beethoven, Philharmonia Quartet Berlin | G Major | 1 | 9B | 173 BPM | ||
Charpentier: Magnificat, H. 74: I. Sinfonia | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 73 BPM | ||
Suite a fur Blockflote, Streicher und Generalbass: Polonaise | Cologne Chamber Orchestra | A Minor | 0 | 8A | 95 BPM |
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