"Wagner: Rienzi, WWV 49, Act 2 Scene 3: "O lasst der Gnade Himmelslicht" (Rienzi, Adriano, Irene, Baroncelli, Cecco, Orsini, Colonna, Chorus)" by Richard Wagner, Heinrich Hollreiser, Staatskapelle Dresden was released on 1976. Wagner: Rienzi, WWV 49, Act 2 Scene 3: "O lasst der Gnade Himmelslicht" (Rienzi, Adriano, Irene, Baroncelli, Cecco, Orsini, Colonna, Chorus) is about six minutes long, preciously at 5:46, making this song fairly long compared to other songs. This song is part of Wagner: Rienzi by Richard Wagner, Heinrich Hollreiser/Staatskapelle Dresden, Heinrich Hollreiser, Staatskapelle Dresden. The song's track number on the album is #9 out of 39 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Wagner: Rienzi, WWV 49, Act 2 Scene 3: "O lasst der Gnade Himmelslicht" (Rienzi, Adriano, Irene, Baroncelli, Cecco, Orsini, Colonna, Chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Wagner: Rienzi, WWV 49, Act 2 Scene 3: "O lasst der Gnade Himmelslicht" (Rienzi, Adriano, Irene, Baroncelli, Cecco, Orsini, Colonna, Chorus) by Richard Wagner, Heinrich Hollreiser, Staatskapelle Dresden has a tempo of 98 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Wagner: Rienzi, WWV 49, Act 2 Scene 3: "O lasst der Gnade Himmelslicht" (Rienzi, Adriano, Irene, Baroncelli, Cecco, Orsini, Colonna, Chorus) being at 98 BPM, the half-time would be 49 BPM with a double-time of 196 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1: I. Prelude | Georges Bizet, Slovak Philharmonic, Anthony Bramall | B♭ Major | 1 | 6B | 95 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Variation VI - Andante | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | D Major | 1 | 10B | 117 BPM | ||
Rusalka, Op. 114 / Act 1: Overture | Antonín Dvořák, Czech Philharmonic Orchestra, Sir Charles Mackerras | E♭ Major | 0 | 5B | 64 BPM | ||
Toccata | Johann Sebastian Bach, Symphonica Orchestra, Leopold Stokowski | D Major | 2 | 10B | 130 BPM | ||
Pomp and Circumstance Marches, Op. 39: March No. 4 in G Major | Edward Elgar, London Philharmonic Orchestra, Sir Georg Solti | G Major | 3 | 9B | 118 BPM | ||
The Mountain Thrall, Op. 32 | Edvard Grieg, Carole Farley, London Philharmonic Orchestra, José Serebrier | A♭ Major | 1 | 4B | 72 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Les contes d'Hoffmann: Les oiseaux dans la charmille | Jacques Offenbach, Susanne Elmark, Sønderjyllands Symfoniorkester, Robert Reimer | A♭ Major | 1 | 4B | 86 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Overture | Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner | C Major | 3 | 8B | 92 BPM | ||
Symphony No. 2 in C Minor, Op. 17 "Little Russian": III. Scherzo. Allegro molto vivace - Trio. L'istesso tempo | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 124 BPM |
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