Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner's 'Die Meistersinger von Nürnberg, WWV 96: Overture' came out on August 8, 1991. Since Die Meistersinger von Nürnberg, WWV 96: Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner, R.: Orchestral Highlights From Operas by Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner. The song's track number on the album is #1 out of 5 tracks. In terms of popularity, Die Meistersinger von Nürnberg, WWV 96: Overture is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Meistersinger von Nürnberg, WWV 96: Overture by Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner has a tempo of 92 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Meistersinger von Nürnberg, WWV 96: Overture being at 92 BPM, the half-time would be 46 BPM with a double-time of 184 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Parsifal, WWV 111 / Act 1: "Recht so! Habt Dank! Ein wenig Rast!" - "Gawan! - Herr! Gawan weilte nicht!" - Live | Richard Wagner, George London, Hans Hotter, Gerd Nienstedt, Bayreuth Festival Orchestra, Hans Knappertsbusch | D♭ Major | 2 | 3B | 79 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: Der Held (The Hero) - | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | E♭ Major | 2 | 5B | 88 BPM | ||
Parsifal, WWV 111 / Act I: "Mein Sohn Amfortas, bist du am Amt?" | Richard Wagner, Karl Ridderbusch, Thomas Stewart, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Pierre Boulez | D♭ Major | 1 | 3B | 81 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
Symphony No. 5 in D Minor, Op. 47: II. Allegretto | Dmitri Shostakovich, Gianandrea Noseda, London Symphony Orchestra | C Major | 1 | 8B | 138 BPM | ||
Le tombeau de Couperin, M. 68: IV. Rigaudon | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | C Major | 1 | 8B | 174 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
L'Arlésienne Suite No.1, WD 40: 3. Adagietto | Georges Bizet, Orchestre de Paris, Semyon Bychkov | F Major | 0 | 7B | 92 BPM |
Section: 0.8726444244384766
End: 0.8763818740844727