"Byrd: Mass for Four Voices - 11. Agnus Dei" by William Byrd, Peter Phillips, The Tallis Scholars was released on October 3, 2007. The duration of Byrd: Mass for Four Voices - 11. Agnus Dei is about 3 minutes long, at 3:20. Based on our data, "Byrd: Mass for Four Voices - 11. Agnus Dei" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 67 in the song's album "The Tallis Scholars Sing William Byrd". In this album, this song's track order is #22. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Byrd: Mass for Four Voices - 11. Agnus Dei is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Byrd: Mass for Four Voices - 11. Agnus Dei by William Byrd, Peter Phillips, The Tallis Scholars having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A vous, douce debonnaire (Rondeau) W! | Jehan de Lescurel, Ensemble Gilles Binchois, Dominique Vellard | D♭ Major | 0 | 3B | 136 BPM | ||
Myn hert altyt heeft verlanghen I | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | G Minor | 2 | 6A | 96 BPM | ||
Quatre petites prières de Saint François d’ Assise: IV. O mes très chers frères | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Vere languores nostros, IAL 32 | Antonio Lotti, Pro Musica, Szabó Dénes | A♭ Major | 0 | 4B | 71 BPM | ||
Garrit Gallus flendo dolorose - In nova fert animus - Neuma (Motette) | Philippe de Vitry, Sequentia | G Major | 1 | 9B | 184 BPM | ||
Palestrina: Assumpta est Maria - 1. Assumpta est Maria | Giovanni Pierluigi da Palestrina, Peter Phillips, The Tallis Scholars | B♭ Major | 2 | 6B | 138 BPM | ||
Cum erubuerint infelices (Antiphona) | Hildegard von Bingen, La Reverdie | E Major | 0 | 12B | 82 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Vos quied admiramini - Gratissima viginis species (Arr. Harre-Jones) | Philippe de Vitry, Orlando Consort | F Major | 2 | 7B | 101 BPM | ||
Byrd: Ne Irascaris, Domine - 3. Sion Deserta | William Byrd, Peter Phillips, The Tallis Scholars | A♭ Major | 1 | 4B | 78 BPM |
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