"Cum erubuerint infelices (Antiphona)" by Hildegard von Bingen, La Reverdie was released on 2003. The duration of Cum erubuerint infelices (Antiphona) is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Cum erubuerint infelices (Antiphona)'s duration is considered a little bit shorter than the average duration of a typical track. This song is part of Von Bingen: Sponsa Regis (La victoire de la Vierge dans l'œuvre d'Hildegard) by Hildegard von Bingen, La Reverdie, I Piccoli Cantori di San Bortolo. The song's track number on the album is #8 out of 13 tracks. Based on our data, France was the country where this track was produced or recorded. Cum erubuerint infelices (Antiphona) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cum erubuerint infelices (Antiphona) by Hildegard von Bingen, La Reverdie has a tempo of 82 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Cum erubuerint infelices (Antiphona) being at 82 BPM, the half-time would be 41 BPM with a double-time of 164 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Be Joyous, Virgin And Mother Of God | "Drevnerussky Rospev" Male Choir | C Major | 0 | 8B | 77 BPM | ||
Messe cum jubilo: Agnus dei IX | Ars Veritas | A Major | 2 | 11B | 73 BPM | ||
Stichira apostolu Pavlu | St. Peter St. Paul Cathedral Choir of Minsk | B♭ Major | 1 | 6B | 80 BPM | ||
Missa L'homme arme: Kyrie | Guillaume Dufay, Oxford Camerata, Jeremy Summerly | D♭ Minor | 1 | 12A | 58 BPM | ||
Ordo Virtutum, Prolog: "Audite "o lucis filie" | Hildegard von Bingen, Ars Choralis Coeln, Maria Jonas, Cora Schmeiser, Lucia Mense | F Major | 1 | 7B | 133 BPM | ||
Byrd: Mass for Five Voices - 02. Gloria | William Byrd, Peter Phillips, The Tallis Scholars | E Major | 2 | 12B | 177 BPM | ||
Garrit Gallus flendo dolorose - In nova fert animus - Neuma (Motette) | Philippe de Vitry, Sequentia | G Major | 1 | 9B | 184 BPM | ||
Ay je rien fet | Alexander Agricola, Unicorn Ensemble, Michael Posch | D Minor | 2 | 7A | 78 BPM | ||
Tempo Della Glora E Della Vita. Sequenza: Victimae Paschali Laudes | Canonici Regolari Si Sant'Antimo | E Minor | 0 | 9A | 92 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM |
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