Canonici Regolari Si Sant'Antimo's 'Tempo Della Glora E Della Vita. Sequenza: Victimae Paschali Laudes' came out on 1995. With Tempo Della Glora E Della Vita. Sequenza: Victimae Paschali Laudes being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Canonici Regolari Si Sant'Antimo's "La Pietra Che Canta: Canti Gregoriani" album is number 16 out of 25. On top of that, France appears to be the country where this track was created. In terms of popularity, Tempo Della Glora E Della Vita. Sequenza: Victimae Paschali Laudes is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Tempo Della Glora E Della Vita. Sequenza: Victimae Paschali Laudes by Canonici Regolari Si Sant'Antimo to be Andante (at a walking pace) because the track has a tempo of 92 BPM, a half-time of 46BPM, and a double-time of 184 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sederunt Príncipes | Coro De La Abadía De San Florián Y La Iglesia De Santa Rita | E Major | 1 | 12B | 128 BPM | ||
Litany of Easter Eve | Monks Of The Benedictine Abbey | C Major | 0 | 8B | 96 BPM | ||
Credo III | Cantores in Ecclesia | A Major | 1 | 11B | 73 BPM | ||
Resectum ergo de corpore | Anon, Magnificat, Philip Cave | F Minor | 1 | 4A | 75 BPM | ||
Gloria (recons. M. Bent): Gloria in canon [reconstructed M. Bent] | John Dunstable, Tonus Peregrinus, Antony Pitts | F♯ Major | 3 | 2B | 113 BPM | ||
Lamentatio | Chants From the Holyland- Graz Gregorian Chants School of Austri | F♯ Minor | 1 | 11A | 142 BPM | ||
La Messe: Credo V | Choeur des moines de l'abbaye Notre Dame de Fontgombault | A♭ Major | 0 | 4B | 78 BPM | ||
I Weep And Sob | The Sirin Choir, Choirmaster: Andrey Kotov | A♭ Major | 1 | 4B | 139 BPM | ||
Ego Clamavi | Coro De La Abadía De San Florián Y La Iglesia De Santa Rita | G Minor | 1 | 6A | 136 BPM | ||
Cantus Officiorum: Antiphona: Rorate caeli | Ambrosian Chant,, Cappella Musicale del Duomo di Milano, Luciano Migliavacca | F♯ Minor | 1 | 11A | 108 BPM |
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