"Vos quied admiramini - Gratissima viginis species (Arr. Harre-Jones)" by Philippe de Vitry, Orlando Consort was released on January 1, 1991. The duration of Vos quied admiramini - Gratissima viginis species (Arr. Harre-Jones) is about 3 minutes long, at 3:20. Based on our data, "Vos quied admiramini - Gratissima viginis species (Arr. Harre-Jones)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "Philippe De Vitry and the Ars Nova". In this album, this song's track order is #1. In terms of popularity, Vos quied admiramini - Gratissima viginis species (Arr. Harre-Jones) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vos quied admiramini - Gratissima viginis species (Arr. Harre-Jones) by Philippe de Vitry, Orlando Consort having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Ave maris stella: Kyrie | Josquin des Prez, Bremen Weser-Renaissance, Manfred Cordes | A Minor | 1 | 8A | 74 BPM | ||
Motet: Parce, Domine | Heinrich Isaac, Jordi Savall | A Minor | 1 | 8A | 100 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Ockeghem: Missa pro Defunctis: I. Requiem aeternam | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | F Major | 0 | 7B | 83 BPM | ||
Lassus: Alma Redemptoris Mater | Orlande de Lassus, Peter Phillips, The Tallis Scholars | B♭ Major | 1 | 6B | 69 BPM | ||
Missa l'homme armé super voces musicales: V. Agnus Dei | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus, Maîtrise des Pays de Loire | A Minor | 1 | 8A | 79 BPM | ||
Qual Lege Move | Bartolino da Padova, Ensemble Syntagma, Alexandre Danilevski | E Major | 1 | 12B | 141 BPM | ||
Unquiet Thoughts | John Dowland, Grace Davidson, David Miller | G Major | 0 | 9B | 103 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: IV. Hallelujah | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | C Major | 1 | 8B | 107 BPM | ||
Short Service: Nunc dimittis (Short Service) | Orlando Gibbons, Oxford Camerata, Jeremy Summerly | A♭ Major | 1 | 4B | 74 BPM |
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