Kurt Weill, London Sinfonietta, David Atherton's 'Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 1. Introduction: The little lieutenant of the loving God (orchestra)' came out on January 1, 1976. With Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 1. Introduction: The little lieutenant of the loving God (orchestra) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Weill: Kleine Dreigroschenmusik; Mahagonny Songspiel; Happy End; Berliner Requiem; Violin Concerto by Kurt Weill, London Sinfonietta, David Atherton. The song's track number on the album is #1 out of 42 tracks. In terms of popularity, Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 1. Introduction: The little lieutenant of the loving God (orchestra) is currently unknown. Although the overall vibe is very danceable, it does project more negative sounds.
Since Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 1. Introduction: The little lieutenant of the loving God (orchestra) by Kurt Weill, London Sinfonietta, David Atherton has a tempo of 108 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Happy End (1929) / Part 1 - Songs of Hell-Fire and Repentance: 1. Introduction: The little lieutenant of the loving God (orchestra) being at 108 BPM, the half-time would be 54 BPM with a double-time of 216 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tristan und Isolde / Act 3: "Mild und leise wie er lächelt" | Richard Wagner, Margaret Price, Staatskapelle Dresden, Carlos Kleiber | B Major | 2 | 1B | 90 BPM | ||
Handel / Arr Pluhar: Where'er you walk (Aria di Semele, from Semele HWV 58) | George Frideric Handel, Christina Pluhar, Núria Rial, L'Arpeggiata | B♭ Major | 1 | 6B | 112 BPM | ||
Die Dreigroschenoper: Ballade von der sexuellen Hörigkeit | Kurt Weill, Rolf Boysen, Helga Dernesch, René Kollo, Rias-Sinfonietta Berlin, John Mauceri | E♭ Major | 2 | 5B | 104 BPM | ||
Forkladd gud, Op. 24: Kring hostlig vaktelds brander | Lars-Erik Larsson, Erik Saeden, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | E♭ Major | 2 | 5B | 115 BPM | ||
Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 84 BPM | ||
Poème de Théophile de Viau: À Chloris | Reynaldo Hahn, Marie-Nicole Lemieux | E♭ Major | 1 | 5B | 59 BPM | ||
Delibes: Lakmé, Act 2: "Où va la jeune hindoue" (Lakmé) | Léo Delibes, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Major | 1 | 11B | 70 BPM | ||
Dido and Aeneas, Z.626 / Act 3: "Thy hand, Belinda...When I am laid in earth" | Henry Purcell, Jessye Norman, English Chamber Orchestra, Raymond Leppard | G Minor | 1 | 6A | 131 BPM | ||
L'Orfeo - Prologo: Toccata | Claudio Monteverdi, New London Consort, Philip Pickett | D Major | 3 | 10B | 134 BPM | ||
Puccini: La bohème, Act 2: "Quando me'n vo soletta" (Musetta/Marcellop/Alcindoro/Mimì/Rodolfo/Schaunard/Colline) | Giacomo Puccini, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Coro e Orchestra del Teatro alla Scala, Milano, Carlo Forti, Carlo Badioli, Franco Ricciardi, Antonino Votto, Eraldo Coda, Anna Moffo, Orchestra Del Teatro Alla Scala, Milano | A Major | 2 | 11B | 132 BPM |
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