"Dido and Aeneas, Z.626 / Act 3: "Thy hand, Belinda...When I am laid in earth"" by Henry Purcell, Jessye Norman, English Chamber Orchestra, Raymond Leppard was released on January 1, 1986. With this song being about 5 minutes long, at 5:23, "Dido and Aeneas, Z.626 / Act 3: "Thy hand, Belinda...When I am laid in earth"" by Henry Purcell, Jessye Norman, English Chamber Orchestra, Raymond Leppard is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #15. Based on our statistics, Dido and Aeneas, Z.626 / Act 3: "Thy hand, Belinda...When I am laid in earth"'s popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Dido and Aeneas, Z.626 / Act 3: "Thy hand, Belinda...When I am laid in earth" by Henry Purcell, Jessye Norman, English Chamber Orchestra, Raymond Leppard having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bayadère / Act 1: No.27 Allegro | Ludwig Minkus, English Chamber Orchestra, Richard Bonynge | E Minor | 1 | 9A | 75 BPM | ||
Purcell: Trumpet Sonata in D Major, Z. 850: I. Allegro | Henry Purcell, Alison Balsom, Balsom Ensemble | D♭ Major | 3 | 3B | 101 BPM | ||
Manon / Act 3: Je marche sur les chemins...Obéissons quand leur voix appelle) | Jules Massenet, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 104 BPM | ||
Delibes: Lakmé, Act 1: "Dôme épais le jasmin à la rose s'assemble" (Lakmé, Mallika) | Léo Delibes, Alain Lombard, Mady Mesple, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre du Théâtre national de l'Opéra-Comique, Bernadette Antoine, Danielle Millet, Orchestre du Theatre National de IOpera-Comique | B Major | 1 | 1B | 135 BPM | ||
Cleopatra e Cesare (Act 1): Tra le procelle assorto | Carl Heinrich Graun, Jeanine De Bique, Concerto Köln, Luca Quintavalle | E♭ Major | 2 | 5B | 136 BPM | ||
Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Anna Netrebko, Mahler Chamber Orchestra, Claudio Abbado | A♭ Major | 1 | 4B | 78 BPM | ||
Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
Monteverdi / Arr Pluhar: Zefiro torna e di soavi accenti, SV 251 | Claudio Monteverdi, Christina Pluhar, Núria Rial, Philippe Jaroussky | F Major | 2 | 7B | 117 BPM | ||
Concerto n°5 en la mineur: Allegro ma non molto, Falk. 45 | Wilhelm Friedemann Bach, Brigitte Haudebourg, Orchestre Pro Arte, Kurt Redel | A Minor | 2 | 8A | 78 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM |
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