Claudio Monteverdi, New London Consort, Philip Pickett's 'L'Orfeo - Prologo: Toccata' came out on January 1, 1992. With L'Orfeo - Prologo: Toccata being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Claudio Monteverdi, John Mark Ainsley, Catherine Bott, New London Consort, Philip Pickett's "Monteverdi: L'Orfeo" album is number 1 out of 36. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, L'Orfeo - Prologo: Toccata's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
We consider the tempo marking of L'Orfeo - Prologo: Toccata by Claudio Monteverdi, New London Consort, Philip Pickett to be Allegro (fast, quick, and bright) because the track has a tempo of 134 BPM, a half-time of 67BPM, and a double-time of 268 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Fantasía para un gentilhombre for Guitar and Small Orchestra: III. Danza de las hachas (Allegro con brio) | Joaquín Rodrigo, Göran Söllscher, Orpheus Chamber Orchestra | D Minor | 0 | 7A | 121 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: Canzona | Henry Purcell, Philip Ledger, The Philip Jones Brass Ensemble | B♭ Major | 0 | 6B | 128 BPM | ||
Il ritorno d'Ulisse in patria, SV 325, Act I: Prologue. Mortal cosa son io | Claudio Monteverdi, Hana Blažíková, Gianluca Buratto, Carlo Vistoli, Silvia Frigato, English Baroque Soloists, John Eliot Gardiner | A Minor | 1 | 8A | 116 BPM | ||
Handel: Saul, HWV 53, Act III: Dead March | George Frideric Handel, Barry Rose, Central Band Of The Royal Air Force, Roy Edward Charles Davies | E♭ Major | 3 | 5B | 110 BPM | ||
Concerto pour harpe en ut majeur: III. Rondeau. Allegro agitato | François-Adrien Boieldieu, Anaïs Gaudemard, Leo Hussain, Orchestre de l'Opéra de Rouen Normandie | C Minor | 2 | 5A | 97 BPM | ||
Concerto for 2 Cellos, Strings and Continuo in G Minor, RV 531: 3. Allegro | Antonio Vivaldi, Harriet Krijgh, Kaori Yamagami, Amsterdam Sinfonietta, Candida Thompson | G Minor | 4 | 6A | 141 BPM | ||
Cello Concerto in D Minor, RV 407: I. Allegro | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | D Minor | 1 | 7A | 116 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: III. Presto | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 2 | 12A | 118 BPM |
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