"Grieg: Suite No. 1 from Peer Gynt, Op. 46: II. The Death of Åse" by Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra was released on October 13, 2000. With this song being about 5 minutes long, at 5:07, "Grieg: Suite No. 1 from Peer Gynt, Op. 46: II. The Death of Åse" by Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Edvard Grieg, Sakari Oramo & City of Birmingham Symphony Orchestra, Sakari Oramo, City Of Birmingham Symphony Orchestra's "Grieg : Peer Gynt Suites 1, 2 & Symphonic Dances" album is number 2 out of 13. On top of that, France appears to be the country where this track was created. In terms of popularity, Grieg: Suite No. 1 from Peer Gynt, Op. 46: II. The Death of Åse is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grieg: Suite No. 1 from Peer Gynt, Op. 46: II. The Death of Åse by Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No.2: Farandole | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | D Major | 4 | 10B | 85 BPM | ||
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
La gazza ladra: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 171 BPM | ||
Carissima | Edward Elgar, New Zealand Symphony Orchestra, James Judd | E Minor | 2 | 9A | 87 BPM | ||
Canon and Gigue in D Major, P. 37 | Johann Pachelbel, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 79 BPM | ||
Symphonie n°3 en mi bémol majeur, Op. 97 Symphonie Rhénane: Lebhaft | Robert Schumann, Staatsorchester Rheinische Philharmonie, Kurt Redel | E♭ Major | 1 | 5B | 112 BPM | ||
Simple Symphony, Op. 4: Playful Pizzacato | Benjamin Britten, Royal Northern Sinfonia, Steuart Bedford | C Major | 1 | 8B | 129 BPM | ||
Schubert: Rosamunde, Op. 26, D. 797: Ballet Music II | Franz Schubert, Wiener Philharmoniker, Riccardo Muti | G Major | 0 | 9B | 98 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: I. Allegro | Franz Schubert, Bamberg Symphony, Jonathan Nott | E Major | 0 | 12B | 79 BPM |
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