Franz Schubert, Wiener Philharmoniker, Riccardo Muti's 'Schubert: Rosamunde, Op. 26, D. 797: Ballet Music II' came out on August 19, 2022. Since Schubert: Rosamunde, Op. 26, D. 797: Ballet Music II is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 34 in the song's album "Riccardo Muti Conducts Schubert". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Schubert: Rosamunde, Op. 26, D. 797: Ballet Music II is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Schubert: Rosamunde, Op. 26, D. 797: Ballet Music II by Franz Schubert, Wiener Philharmoniker, Riccardo Muti having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schubert / Transcr. Tharaud: Rosamunde, Op. 26, D. 797: No. 6, Entr'acte No. 3 | Franz Schubert, Alexandre Tharaud | B♭ Major | 1 | 6B | 79 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 1. Ziemlich langsam - Lebhaft | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 141 BPM | ||
Madama Butterfly / Act 2: Coro a bocca chiusa (Humming Chorus) | Giacomo Puccini, Vienna State Opera Chorus, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 78 BPM | ||
Songs without Words for Piano, Book 2, op.30: No.6: Venetian Gondolera Song ("Venezianisches Gondellied") | Peter Schmalfuss | C Major | 1 | 8B | 89 BPM | ||
Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 166 BPM | ||
Symphony No. 2 in C Minor "Resurrection": IV. Urlicht. Sehr feierlich, aber schlicht | Gustav Mahler, Lorin Maazel, Wiener Philharmoniker | B♭ Major | 2 | 6B | 130 BPM | ||
Neujahrsgruß / New Year's Address / Allocution du Nouvel An | Riccardo Muti, Wiener Philharmoniker | D♭ Major | 1 | 3B | 112 BPM | ||
Mondaufgang | Otto Nicolai, Gustavo Dudamel, Wiener Philharmoniker | E♭ Major | 2 | 5B | 74 BPM | ||
Phönix-Schwingen, Walzer, Op. 125 | Johann Strauss II, Daniel Barenboim, Wiener Philharmoniker | D Major | 1 | 10B | 97 BPM |
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