Josef Rheinberger, Jurg Hanselmann made "6 Tonstücke in fugierter Form, Op. 39: VI. Allegro mareato" available on June 1, 2011. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Josef Rheinberger, Jurg Hanselmann's "Josef Gabriel Rheinberger: Klavierwerke" album is number 6 out of 165. On top of that, Germany appears to be the country where this track was created. Based on our statistics, 6 Tonstücke in fugierter Form, Op. 39: VI. Allegro mareato's popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of 6 Tonstücke in fugierter Form, Op. 39: VI. Allegro mareato by Josef Rheinberger, Jurg Hanselmann to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romanzen und Balladen, Book 1, Op. 67: Der Konig von Thule | Robert Schumann, SWR Vokalensemble Stuttgart, Rupert Huber | G Major | 2 | 9B | 169 BPM | ||
3 Nocturnes: No. 3. Lullaby | Daniel Elder, Westminster Choir, John Hudson, Joe Miller | E Major | 1 | 12B | 70 BPM | ||
Three Songs, Op. 42: I. Abendständchen | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
Media Vita | Kerensa Briggs, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | B Minor | 1 | 10A | 143 BPM | ||
Regina caeli | Vicente Lusitano, The Marian Consort | A♭ Major | 1 | 4B | 76 BPM | ||
6 Chansons: No. 1. La biche | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | D♭ Minor | 1 | 12A | 102 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 171 BPM | ||
In stiller Nacht | Johannes Brahms, Dresdner Kreuzchor, Rudolf Mauersberger | D Major | 0 | 10B | 90 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Wie Lieblich Sind Deine Wohnungen, Op. 35 | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | B♭ Major | 0 | 6B | 73 BPM |
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