"In stiller Nacht" by Johannes Brahms, Dresdner Kreuzchor, Rudolf Mauersberger was released on 1961. The duration of In stiller Nacht is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. In stiller Nacht's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Song of Joy (The finest choirs)". In this album, this song's track order is #5. In terms of popularity, In stiller Nacht is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In stiller Nacht by Johannes Brahms, Dresdner Kreuzchor, Rudolf Mauersberger having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All'imperio d'Amore: 5. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | B♭ Major | 2 | 6B | 113 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 2, False Love | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | D Major | 1 | 10B | 99 BPM | ||
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM | ||
Liederkreis, Op. 39: 5. Mondnacht | Robert Schumann, Barbara Bonney, Vladimir Ashkenazy | E Major | 0 | 12B | 88 BPM | ||
Now, O Now I Needs Must Part | John Dowland, Simone Kermes, Enrico Casazza | G Major | 1 | 9B | 83 BPM | ||
Nachtlied: Die Nacht ist kommen, Op. 138/3 | Max Reger, Thomas Hengelbrock | B Minor | 0 | 10A | 176 BPM | ||
Volkslieder: In stiller Nacht, WoO 33 No. 42 | Johannes Brahms, RIAS Kammerchor, Marcus Creed | E♭ Major | 0 | 5B | 74 BPM | ||
Tykus Tykus | University Of Pretoria Camerata | E♭ Major | 1 | 5B | 86 BPM | ||
Domine non secundum | Vincent Warnier - Ensemble Vocal Jean Sourisse | B Major | 1 | 1B | 83 BPM | ||
It Was a Lover and His Lass: It was a Lover and his Lass | Ralph Vaughan Williams, Anthony Rolfe Johnson, Simon Keenlyside, Graham Johnson, Duke Quartet | B Minor | 0 | 10A | 127 BPM |
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