- BPM
- 66
- Key
- A♭ Major
- Camelot
- 4B
Dank sei Dir, Herr - Voice - George Frideric Handel, Barbra Streisand, Claus Ogerman Information
- Acousticness
- 96%
- Danceability
- 20%
- Energy
- 27%
- Instrumentalness
- 62%
- Liveness
- 12%
- Loudness
- 75%
- Speechiness
- 4%
- Valence
- 13%
- Popularity
- 13%
- Loudness
- -15.093 dB
Summary
"Dank sei Dir, Herr - Voice" by George Frideric Handel, Barbra Streisand, Claus Ogerman was released on 1976. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 9 out of 12 in Classical Barbra (Re-Mastered) by Barbra Streisand. Dank sei Dir, Herr - Voice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Dank sei Dir, Herr - Voice BPM
The tempo marking of Dank sei Dir, Herr - Voice by George Frideric Handel, Barbra Streisand, Claus Ogerman is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Dank sei Dir, Herr - Voice Key
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Serse (Xerxes), Hwv 40 (arr. for oboe and orchestra): Act I: Ombra mai fu, "largo" | George Frideric Handel, Jozef Cejka, Capella Istropolitana, Richard Edlinger | F Major | 1 | 7B | 88 BPM | |
 | Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | |
 | Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 84 BPM | |
 | White Bird (Arr. Ross) | Igor Krutoy, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | A♭ Major | 3 | 4B | 83 BPM | |
 | Dank sei dir, Herr | George Frideric Handel, Aafje Heynis, Pierre Palla | A Major | 3 | 11B | 102 BPM | |
 | Als die alte Mutter mich noch lehrte singen, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Charlie Siem, Paul Goodwin | B♭ Major | 1 | 6B | 107 BPM | |
 | Capriol Suite: 2. Pavane | Peter Warlock, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 0 | 6B | 160 BPM | |
 | Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 89 BPM | |
 | Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM | |
 | Lehár / Arr Schifrin: Around the World Part 8: Die Lustige Witwe (The Merry Widow) - 'Lippen Schweigen' | Franz Lehár, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | G Major | 2 | 9B | 77 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8629622459411621
End: 0.8673839569091797