"White Bird (Arr. Ross)" by Igor Krutoy, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister had its release date on June 13, 2018. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Aida Garifullina's "Midnight in Moscow" album is number 3 out of 3. On top of that, United Kingdom appears to be the country where this track was created. White Bird (Arr. Ross) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of White Bird (Arr. Ross) by Igor Krutoy, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sadko: Song Of India | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | A Major | 2 | 11B | 75 BPM | ||
Lehar: Giuditta, Act 3: "Meine Lippen sie küssen so heiss" (Annita) | Franz Lehár, Diana Damrau, David Charles Abell, Fritz Löhner-Beda, Royal Liverpool Philharmonic Orchestra | E Major | 4 | 12B | 81 BPM | ||
Carmina Burana / III. Cour d'amours: "Tempus est iocundum" - Live from the Forbidden City | Carl Orff, Aida Garifullina, Ludovic Tezier, Wiener Singakademie, Shanghai Spring Children’s Choir, Heinz Ferlesch, Shanghai Symphony Orchestra, Long Yu | D Major | 1 | 10B | 79 BPM | ||
Trumpet Concerto No. 1 in C Minor: I. Allegro con fuoco | Vladimir Peskin, Selina Ott, Vienna Radio Symphony Orchestra, Roberto Paternostro | A♭ Major | 1 | 4B | 90 BPM | ||
Movement III | Philip Glass, Dennis Russell Davies, Vienna Radio Symphony Orchestra | A Minor | 3 | 8A | 182 BPM | ||
Cantate 78: Wir Ellen Mit Schwachen | Natalie Choquette | B♭ Major | 2 | 6B | 127 BPM | ||
Stabat Mater, P. 77: 1. Stabat Mater dolorosa | Giovanni Battista Pergolesi, June Anderson, Cecilia Bartoli, Sinfonietta de Montréal, Charles Dutoit | C Minor | 1 | 5A | 82 BPM | ||
Ti Amo Cosi | Dimash Kudaibergen, Igor Krutoy, Aida Garifullina, Lara Fabian | C Major | 5 | 8B | 80 BPM | ||
Gianni Schicchi (O mio bambino caro) | Katia Ricciarelli | A♭ Major | 2 | 4B | 79 BPM | ||
O mio babbino caro - Gianni Schicchi | Patricia Janečková, Orchester Viva Musica! | A♭ Major | 3 | 4B | 128 BPM |