"Carmina Burana / III. Cour d'amours: "Tempus est iocundum" - Live from the Forbidden City" by Carl Orff, Aida Garifullina, Ludovic Tezier, Wiener Singakademie, Shanghai Spring Children’s Choir, Heinz Ferlesch, Shanghai Symphony Orchestra, Long Yu was released on January 18, 2019. The duration of Carmina Burana / III. Cour d'amours: "Tempus est iocundum" - Live from the Forbidden City is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Carmina Burana / III. Cour d'amours: "Tempus est iocundum" - Live from the Forbidden City's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "Orff: Carmina Burana (Live from the Forbidden City)". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Germany. Carmina Burana / III. Cour d'amours: "Tempus est iocundum" - Live from the Forbidden City is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmina Burana / III. Cour d'amours: "Tempus est iocundum" - Live from the Forbidden City by Carl Orff, Aida Garifullina, Ludovic Tezier, Wiener Singakademie, Shanghai Spring Children’s Choir, Heinz Ferlesch, Shanghai Symphony Orchestra, Long Yu having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 3 | 10A | 131 BPM | ||
Tale of Tsar Saltan, Op. 57: Flight of the Bumblebee: Flight of the Bumble-Bee | Nikolai Rimsky-Korsakov, Slovak Radio Symphony Orchestra, Anthony Bramall | D Minor | 0 | 7A | 77 BPM | ||
Nocturnes, Op. 9: No. 2 in E-Flat Major | Finghin Collins | B♭ Major | 0 | 6B | 101 BPM | ||
Piano Sonata No. 14 in C-Sharp Minor, Op. 27 No. 2 "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Finghin Collins | D♭ Minor | 0 | 12A | 170 BPM | ||
Suite No. 3, P. 172: III. Siciliana: Andantino | Ottorino Respighi, RTÉ National Symphony Orchestra | C Minor | 0 | 5A | 93 BPM | ||
Pictures At An Exhibition: The Hut On Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 2 | 9B | 89 BPM | ||
Bach, JS: Toccata and Fugue in D Minor, BWV 565: Toccata | Johann Sebastian Bach, Wayne Marshall | D Major | 1 | 10B | 88 BPM | ||
Symphony No. 5 in C Minor, Op. 67: Allegro con brio | Ludwig van Beethoven, NDR-Sinfonieorchester, Günter Wand | B Major | 0 | 1B | 168 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Purcell: March and Canzona for Queen Mary's Funeral, Z. 860: March | Henry Purcell, John Eliot Gardiner, Equale Brass Ensemble, Monteverdi Orchestra | C Minor | 0 | 5A | 82 BPM |
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