Bach, JS: Toccata and Fugue in D Minor, BWV 565: Toccata - Johann Sebastian Bach, Wayne Marshall Information

Acousticness
66%
Danceability
12%
Energy
12%
Instrumentalness
54%
Liveness
6%
Loudness
73%
Speechiness
4%
Valence
8%
Popularity
Loudness
-16.362 dB

Summary

"Bach, JS: Toccata and Fugue in D Minor, BWV 565: Toccata" by Johann Sebastian Bach, Wayne Marshall was released on September 6, 2023. The duration of Bach, JS: Toccata and Fugue in D Minor, BWV 565: Toccata is about 3 minutes long, at 3:21. Based on our data, "Bach, JS: Toccata and Fugue in D Minor, BWV 565: Toccata" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "The Virtuoso Organist. Music for Special Occasions at the Organ of Coventry Cathedral. Widor, Saint-Saëns, Bach, Vierne, Verdi...". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. Bach, JS: Toccata and Fugue in D Minor, BWV 565: Toccata is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Bach, JS: Toccata and Fugue in D Minor, BWV 565: Toccata BPM

With Bach, JS: Toccata and Fugue in D Minor, BWV 565: Toccata by Johann Sebastian Bach, Wayne Marshall having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Bach, JS: Toccata and Fugue in D Minor, BWV 565: Toccata Key

This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Recorder Concerto in C Major, TWV 51:C1: IV. Tempo di Minuet by Georg Philipp Telemann, Dan Laurin, Arte dei SuonatoriRecorder Concerto in C Major, TWV 51:C1: IV. Tempo di MinuetGeorg Philipp Telemann, Dan Laurin, Arte dei SuonatoriB Major21B141 BPM
Carmen Suite No. 1: 5. Les toréadors by Georges Bizet, Orchestre de Paris, Semyon BychkovCarmen Suite No. 1: 5. Les toréadorsGeorges Bizet, Orchestre de Paris, Semyon BychkovF Major47B127 BPM
Suite in D Minor, HWV 447: Allemande by George Frideric Handel, David GreilsammerSuite in D Minor, HWV 447: AllemandeGeorge Frideric Handel, David GreilsammerD Minor17A74 BPM
Peer Gynt Suite No. 1, Op. 46: I. Morning Mood by Edvard Grieg, Libor Pešek, Slovac PhilharmonyPeer Gynt Suite No. 1, Op. 46: I. Morning MoodEdvard Grieg, Libor Pešek, Slovac PhilharmonyE Major012B131 BPM
Fantasia And Fugue In A Minor, BWV 904 : Fantasia by Janos Sebestyen, Johann Sebastian BachFantasia And Fugue In A Minor, BWV 904 : FantasiaJanos Sebestyen, Johann Sebastian BachC Major28B138 BPM
Cello Concerto No.1, Op.107: 1. Allegretto by Dmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim ShostakovichCello Concerto No.1, Op.107: 1. AllegrettoDmitri Shostakovich, Heinrich Schiff, Bavarian Radio Symphony Orchestra, Maxim ShostakovichG Minor26A126 BPM
Danse macabre, Op. 40 by Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreistDanse macabre, Op. 40Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreistG Minor16A102 BPM
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts by Jean-Philippe Rameau, Teodor CurrentzisLes Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les ArtsJean-Philippe Rameau, Teodor CurrentzisD♭ Major13B130 BPM
Goldberg Variations, BWV 988: Aria by Johann Sebastian Bach, Zhu Xiao-MeiGoldberg Variations, BWV 988: AriaJohann Sebastian Bach, Zhu Xiao-MeiE Minor09A96 BPM
Handel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. Sarabande by George Frideric Handel, Alexander Briger, Academy of St. Martin in the FieldsHandel / Orch. Hale: Keyboard Suite No. 4 in D Minor, HWV 437: III. SarabandeGeorge Frideric Handel, Alexander Briger, Academy of St. Martin in the FieldsD Minor07A116 BPM
ISRC
GBAYC8905893
Label
L-M Records/RCA Records

Section: 0.5538349151611328

End: 0.557952880859375