Niccolò Paganini, Steven Staryk made "24 Caprices for Solo Violin, Op. 1, MS 25: No. 20 in D Major. Allegretto - Minore - Allegretto" available on March 2, 2018. The duration of 24 Caprices for Solo Violin, Op. 1, MS 25: No. 20 in D Major. Allegretto - Minore - Allegretto is about 3 minutes long, at 3:08. Based on our data, "24 Caprices for Solo Violin, Op. 1, MS 25: No. 20 in D Major. Allegretto - Minore - Allegretto" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 5 out of 35 in A Retrospective, Vol. 11: Every Violinist's Guide by Steven Staryk. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, 24 Caprices for Solo Violin, Op. 1, MS 25: No. 20 in D Major. Allegretto - Minore - Allegretto's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of 24 Caprices for Solo Violin, Op. 1, MS 25: No. 20 in D Major. Allegretto - Minore - Allegretto by Niccolò Paganini, Steven Staryk is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Fantasy, Op. 25: Introduction. Allegro moderato | Pablo de Sarasate, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): III. Allegro molto vivace | RCA Victor Symphony Orchestra & William Steinberg | A♭ Major | 1 | 4B | 88 BPM | ||
Handel: Keyboard Suite in G Minor, HWV 432: VI. Passacaille | George Frideric Handel, Itzhak Perlman | G Minor | 2 | 6A | 109 BPM | ||
Violin Concerto No. 5 in A Minor, MS 78: III. Rondo. Andantino quasi allegretto (Ed. M. Quarta) | Niccolò Paganini, Ivan Pochekin, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Minor | 2 | 8A | 101 BPM | ||
Brahms Hungarian Dance No.1: Johannes Brahms | Mela Tenenbaum | G Minor | 2 | 6A | 62 BPM | ||
Variations on a Theme from the Opera Silvana in B-Flat Major, Op. 33: III. Variation II. Con Grazia | Carl Maria von Weber, Quartetto Savinio, Davide Bandieri, Matteo Fossi | E♭ Major | 2 | 5B | 49 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Songs My Mother Taught Me (from "Gypsy Songs", Op. 55, No. 4) | Antonín Dvořák, Yo-Yo Ma, Kathryn Stott | B Minor | 0 | 10A | 92 BPM |
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