Mela Tenenbaum made "Brahms Hungarian Dance No.1: Johannes Brahms" available on 1995. The duration of Brahms Hungarian Dance No.1: Johannes Brahms is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Brahms Hungarian Dance No.1: Johannes Brahms's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 16 in the song's album "Tea Time". In this album, this song's track order is #5. Brahms Hungarian Dance No.1: Johannes Brahms is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Brahms Hungarian Dance No.1: Johannes Brahms by Mela Tenenbaum having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Cellos in G Minor, RV 531: II. Largo | Antonio Vivaldi, Julian Lloyd Webber, Jiaxin Lloyd Webber, European Union Chamber Orchestra, Hanspeter Hofmann | G Minor | 1 | 6A | 81 BPM | ||
Double-Presto: Partita No. 1, BWV 1002 | Mela Tenenbaum | D Major | 2 | 10B | 76 BPM | ||
Paganini variations: Variation 4 | Eugène Ysaÿe, Laurent Korcia, Haruko Ueda | A Minor | 1 | 8A | 97 BPM | ||
Berceuse in B-Flat Major, Op. 38 | Camille Saint-Saëns, Fanny Clamagirand, Vanya Cohen | E Major | 1 | 12B | 71 BPM | ||
Vocalise, Op.34, No.14 | Sergei Rachmaninoff, Akiko Suwanai, Phillip Moll | A Major | 1 | 11B | 125 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
String Quartet in F Major, Op. 3 No. 5: II. Andante cantabile (Serenade) | Roman Hoffstetter, Metamorphose String Orchestra, Pavel Lyubomudrov | C Major | 1 | 8B | 176 BPM | ||
Zigeunerweisen, Op. 20 (version for violin and orchestra): I. Moderato | RCA Victor Symphony Orchestra & William Steinberg | A Minor | 0 | 8A | 96 BPM | ||
Double: Partita No. 1, BWV 1002 | Mela Tenenbaum | B Minor | 0 | 10A | 85 BPM | ||
Allegro: Sonata No. 2, BWV 1003 | Mela Tenenbaum | A Minor | 2 | 8A | 87 BPM |
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