On 1997, the song "Double: Partita No. 1, BWV 1002" was released by Mela Tenenbaum. The duration of Double: Partita No. 1, BWV 1002 is about two minutes long, specifically at 2:09. This song does not appear to have any foul language. Double: Partita No. 1, BWV 1002's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 41 in Bach - Sonatas and Partitas for Solo Violin by Mela Tenenbaum. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Double: Partita No. 1, BWV 1002 is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Double: Partita No. 1, BWV 1002 by Mela Tenenbaum is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Sonata in G Minor: I. Grave | Henry Eccles, Takako Nishizaki, Terence Dennis | G Minor | 1 | 6A | 99 BPM | ||
4 Romantic Pieces, Op. 75, B. 150: I. Allegro moderato (Arr. Soltani For Solo Cello and Cello Ensemble) | Antonín Dvořák, Kian Soltani, Staatskapelle Berlin, Cellists | B♭ Major | 1 | 6B | 115 BPM | ||
Hungarian Rhapsody No.6 in D flat, S.244 | Franz Liszt, Roberto Szidon | D♭ Major | 2 | 3B | 115 BPM | ||
Lyric Pieces Book III, Op. 43: No. 6 To Spring | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) | Franz Liszt, Joseph Banowetz | A♭ Major | 0 | 4B | 149 BPM | ||
Liebesträume, S. 541: No. 3, Nocturne in A-Flat Major (Arr. Violin & Piano) | Franz Liszt, Yuka Mawaki, Masahiro Oishi | A♭ Major | 1 | 4B | 169 BPM | ||
2 Pieces for Cello and Orchestra, Op. 20: II. Serenade Espagnole (Arr. Kreisler) | Alexander Glazunov, Fritz Kreisler, Gil Sharon, Idith Zvi | A Major | 1 | 11B | 85 BPM | ||
Debussy: Piano Trio in G Major, CD 5, L. 3: III. Andante espressivo | Claude Debussy, Bertrand Chamayou, Edgar Moreau, Renaud Capuçon | C Major | 1 | 8B | 84 BPM | ||
Peer Gynt Suite No.1 op. 46 Anitra's Dance (Tempo di Mazurka) | Academy of St. Martin in the Fields | E Minor | 0 | 9A | 168 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM |
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