Niccolò Paganini, Ivan Pochekin, Russian Philharmonic Orchestra, Dmitry Yablonsky's 'Violin Concerto No. 5 in A Minor, MS 78: III. Rondo. Andantino quasi allegretto (Ed. M. Quarta)' came out on January 1, 2013. Violin Concerto No. 5 in A Minor, MS 78: III. Rondo. Andantino quasi allegretto (Ed. M. Quarta) appears to be safe for all ages as it is not explicit. There are a total of 5 in the song's album "Paganini: Violin Concerto No. 5 - I palpiti". In this album, this song's track order is #4. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Violin Concerto No. 5 in A Minor, MS 78: III. Rondo. Andantino quasi allegretto (Ed. M. Quarta) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Violin Concerto No. 5 in A Minor, MS 78: III. Rondo. Andantino quasi allegretto (Ed. M. Quarta) by Niccolò Paganini, Ivan Pochekin, Russian Philharmonic Orchestra, Dmitry Yablonsky having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paganini-Jazz for Piano (Arr. for Jazz Quartet) | Fazıl Say, Niklas Liepe | A Minor | 2 | 8A | 131 BPM | ||
Le couvent du Mont Saint Bernard: I. Andante sonnolento | Niccolò Paganini, Wiener Singverein, Mario Hossen, Vienna Classical Players, Martin Kerschbaum | E Major | 5 | 12B | 72 BPM | ||
Gayane Suite No. 3: V. Solo - Love Duet | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D Major | 3 | 10B | 175 BPM | ||
Caprice viennois, Op. 2 | Fritz Kreisler, Joshua Bell, Paul Coker | B Major | 1 | 1B | 137 BPM | ||
Serenade in A Minor, Op. 75: III. (Notturno): Andante sostenuto | Max Bruch, Maxim Fedotov, Russian Philharmonic Orchestra, Dmitry Yablonsky | A Major | 0 | 11B | 71 BPM | ||
Mosè-fantasia, Op. 24, MS 23 (Arr. for Violin & Orchestra by Italo Vescovo): Recitativo - Moderato - Allegro - Preghiera | Niccolò Paganini, Luca Fanfoni, I Musici di Parma Orchestra, Antonio De Lorenzi | F Minor | 1 | 4A | 86 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: II. Allegretto con moto | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | B♭ Major | 0 | 6B | 109 BPM | ||
Sonata No. 16 in E Major: II. Minuetto a Valtz: Allegro vivo | Niccolò Paganini, Moshe Hammer, Norbert Kraft | E Major | 1 | 12B | 107 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Jazz Suite No. 2: VII. Dance 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 109 BPM |
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