"Paganini-Jazz for Piano (Arr. for Jazz Quartet)" by Fazıl Say, Niklas Liepe was released on March 9, 2018. Since Paganini-Jazz for Piano (Arr. for Jazz Quartet) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 25 in the song's album "The New Paganini Project". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Based on our statistics, Paganini-Jazz for Piano (Arr. for Jazz Quartet)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Paganini-Jazz for Piano (Arr. for Jazz Quartet) by Fazıl Say, Niklas Liepe having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Goldberg in Istanbul, Op. 94 | Fazıl Say, İklim Tamkan | E♭ Minor | 4 | 2A | 84 BPM | ||
Beethoven: Piano Sonata No. 8 in C Minor, Op. 13, "Pathétique": I. Grave - Allegro di molto e con brio | Ludwig van Beethoven, Fazıl Say | C Minor | 1 | 5A | 149 BPM | ||
3 Polkas de salon, Op. 7, JB 1:60: No. 3 in E Major, Allegretto ma non troppo | Bedřich Smetana, Jitka Čechová | E Major | 0 | 12B | 131 BPM | ||
Vocalise, Op. 34, No. 14 - Version For Cello And Piano | Sergei Rachmaninoff, Mischa Maisky, Pavel Gililov | E Minor | 8 | 9A | 128 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Beethoven: Piano Sonata No. 10 in G Major, Op. 14 No. 2: II. Andante | Ludwig van Beethoven, Fazıl Say | C Major | 0 | 8B | 179 BPM | ||
Black Earth - 2019 Version | Fazıl Say | B Minor | 1 | 10A | 80 BPM | ||
Ponce: Balada Mexicana | Manuel Ponce, Daniela Liebman | A Major | 1 | 11B | 170 BPM | ||
Maria Carolina | Antonio Lauro, Adam Holzman | A Minor | 1 | 8A | 91 BPM | ||
Csardas | Vittorio Monti, Clara Cernat, Thierry Huillet | D Major | 1 | 10B | 157 BPM |
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