"La Bohème: Si, mi chiamano Mimi" by Giacomo Puccini, Leone Magiera, Orchestra Internazionale D'Italia was released on January 1, 2009. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Nesun Dorma - Vesti la guiba and Other Opera Blockbusters". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. La Bohème: Si, mi chiamano Mimi is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème: Si, mi chiamano Mimi by Giacomo Puccini, Leone Magiera, Orchestra Internazionale D'Italia having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tosca: Act III: E lucevan le stelle … (Cavaradossi) | Giacomo Puccini, Nelly Miricioiu, Giorgio Lamberti, Silvano Carroli, Andrea Piccinni, Miroslav Dvorský, Jan Durco, Stanislav Beňačka, Jozef Spacek, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Raimo Sirkia, Slovak Chamber Choir, Alexander Rahbari, Markus Lehtinen | F Major | 0 | 7B | 86 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 4, Im Abendrot | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | B♭ Major | 1 | 6B | 82 BPM | ||
Als die alte Mutter | Victoria de los Ángeles | D Major | 2 | 10B | 81 BPM | ||
Turandot / Act 2: O mondo, O mondo | Giacomo Puccini, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | D Major | 10 | 10B | 132 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | E Major | 0 | 12B | 90 BPM | ||
Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 84 BPM | ||
Roméo et Juliette, CG 9 / Act 1: "Ah, je veux vivre dans ce rève" | Charles Gounod, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | C Major | 3 | 8B | 77 BPM | ||
La Bohème / Act 2: "Quando m'en vo'" (Musetta's Waltz) | Giacomo Puccini, Gianna D'Angelo, Ettore Bastianini, Fernando Corena, Renata Tebaldi, Carlo Bergonzi, Renato Cesari, Cesare Siepi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 3 | 11B | 100 BPM |
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