"I puritani: A te, o cara" by Vincenzo Bellini, Stephen Costello, Kaunas City Symphony Orchestra, Constantine Orbelian was released on November 16, 2018. The duration of I puritani: A te, o cara is about 3 minutes long, at 3:18. Based on our data, "I puritani: A te, o cara" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 11 in A te, o cara by Gaetano Donizetti, Stephen Costello, Kaunas City Symphony Orchestra, Constantine Orbelian. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. I puritani: A te, o cara is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of I puritani: A te, o cara by Vincenzo Bellini, Stephen Costello, Kaunas City Symphony Orchestra, Constantine Orbelian is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 1: Perfido! | Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 2 | 5B | 82 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Carmen, WD 31 / Act 1: Bizet: Carmen, WD 31: Près des remparts de Séville | Georges Bizet, Gaëlle Arquez, Orchestre National Bordeaux Aquitaine, Paul Daniel | D Major | 0 | 10B | 175 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
Wagner: Lohengrin: "Mein lieber Schwan" (Lohengrin) | Richard Wagner, Michael Spyres, Christophe Rousset, Les Talens Lyriques | G Major | 1 | 9B | 62 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Beatrice di Tenda / Act 2: Angiol di pace - Live In New York / 1981 | Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Marilyn Horne, New York City Opera Orchestra, Richard Bonynge | G Minor | 4 | 6A | 82 BPM | ||
Thaïs / Acte Trois: C'est toi, mon père | Jules Massenet, Renée Fleming, Thomas Hampson, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM |
Section: 0.7456660270690918
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