Emmanuel Chabrier, Rene Herent, Orchestre Roger Desormière, Chœur Roger Désormière, Roger Desormiere's 'L'étoile: Le pal! Le pal!... Ce fauteuil qui n'a l'air de rien (Ouf) - 1943 Version' came out on 2016. The duration of L'étoile: Le pal! Le pal!... Ce fauteuil qui n'a l'air de rien (Ouf) - 1943 Version is about 3 minutes long, at 3:07. Based on our data, "L'étoile: Le pal! Le pal!... Ce fauteuil qui n'a l'air de rien (Ouf) - 1943 Version" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Solange Michel, Alain Vanzo, Ninon Vallin's "L'art français du chant, Vol. 9" album is number 6 out of 23. On top of that, France appears to be the country where this track was created. In terms of popularity, L'étoile: Le pal! Le pal!... Ce fauteuil qui n'a l'air de rien (Ouf) - 1943 Version is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of L'étoile: Le pal! Le pal!... Ce fauteuil qui n'a l'air de rien (Ouf) - 1943 Version by Emmanuel Chabrier, Rene Herent, Orchestre Roger Desormière, Chœur Roger Désormière, Roger Desormiere to be Andante (at a walking pace) because the track has a tempo of 103 BPM, a half-time of 52BPM, and a double-time of 206 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Pelléas et Mélisande, Op. 80: II. Fileuse. Andantino quasi Allegretto | Gabriel Fauré, Frankfurt Radio Symphony Orchestra, Paavo Järvi | G Major | 0 | 9B | 129 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
La Mer, L.109: 2. Play of the Waves (Jeux de vagues) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | E Major | 1 | 12B | 113 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Five Piano Pieces: IV. Feuillet d’album | Emmanuel Chabrier, Désiré N'Kaoua | G Major | 2 | 9B | 136 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
España | Emmanuel Chabrier, John Wilson, Sinfonia Of London | F Major | 2 | 7B | 129 BPM | ||
Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit de sabbat | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 60 BPM |
Section: 0.8044750690460205
End: 0.8079500198364258