On December 20, 2019, the song "The Well-Tempered Clavier ("Das wohltemperierte Klavier"), Book 1 Prelude & Fugue No. 20 in A Minor, BWV 865" was released by Christiane Jaccottet. The Well-Tempered Clavier ("Das wohltemperierte Klavier"), Book 1 Prelude & Fugue No. 20 in A Minor, BWV 865 is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. There are a total of 23 in the song's album "Relax cafe/Investigation of comfort chamber music and harpsichord". In this album, this song's track order is #17. The popularity of The Well-Tempered Clavier ("Das wohltemperierte Klavier"), Book 1 Prelude & Fugue No. 20 in A Minor, BWV 865 is currently unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With The Well-Tempered Clavier ("Das wohltemperierte Klavier"), Book 1 Prelude & Fugue No. 20 in A Minor, BWV 865 by Christiane Jaccottet having a BPM of 162 with a half-time of 81 BPM and a double-time of 324 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture (Suite) In D Major, TWV 55:D15: VI. Prelude | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 1 | 10B | 103 BPM | ||
Symphony in A Major, J-C 62: IIIa. Presto assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 2 | 4B | 119 BPM | ||
Suite No. 1 in G Major, Z. 660: II. Almand | Henry Purcell, Richard Egarr | F Major | 2 | 7B | 69 BPM | ||
Oboe Concerto in C Major (after Cimarosa's Keyboard Sonatas): IV. Allegro giusto | Arthur Benjamin, Anthony Camden, City of London Sinfonia, Nicholas Ward | C Major | 0 | 8B | 97 BPM | ||
Oboe Concerto in B-Flat Major, Wq. 164, H. 466: III. Allegro moderato | Carl Philipp Emanuel Bach, Jozsef Kiss, Budapest Ferenc Erkel Chamber Orchestra | B♭ Major | 1 | 6B | 182 BPM | ||
Concerto, D-Major, For Strings And Organ, RV 124: II. Grave | Musici di San Marco, Alberto Lizzio | B♭ Minor | 0 | 3A | 143 BPM | ||
Concerto Grosso in C Minor, Op. 1, No. 6: IV. Allegro | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | C Minor | 3 | 5A | 155 BPM | ||
Concerto a 5 in D, Op.7, No.1 for Strings and Continuo: 1. (Allegro) | Tomaso Albinoni, I Musici | D Major | 3 | 10B | 108 BPM | ||
Concerto for 2 Violins, 2 Cellos, Strings and Continuo in G, R.575: 3. Allegro | Antonio Vivaldi, Peter Hanson, Walter Reiter, Jane Coe, David Watkin, The English Concert, Trevor Pinnock | C Major | 2 | 8B | 119 BPM | ||
Nouveau Concert No.7 in G minor: 5. Gavote (Gayement) | François Couperin, Thomas Brandis, Josef Ulsamer, Christiane Jaccottet | G Minor | 4 | 6A | 104 BPM |
Section: 0.661736249923706
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