"Lyric Pieces, Op.71: I. Det var engang - Andante con moto - Allegro brioso" by Edvard Grieg, Javier Perianes was released on May 18, 2015. With this song being about 5 minutes long, at 4:36, "Lyric Pieces, Op.71: I. Det var engang - Andante con moto - Allegro brioso" by Edvard Grieg, Javier Perianes is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo's "Grieg: Piano Concerto & Lyric Pieces" album is number 14 out of 15. Lyric Pieces, Op.71: I. Det var engang - Andante con moto - Allegro brioso is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lyric Pieces, Op.71: I. Det var engang - Andante con moto - Allegro brioso by Edvard Grieg, Javier Perianes to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fantasia in C minor, K.475: Adagio | Wolfgang Amadeus Mozart, András Schiff | D Major | 0 | 10B | 130 BPM | ||
Sonata in G major, Wq. 62/19: 2. Andante | Carl Philipp Emanuel Bach, Mikhail Pletnev | B Minor | 0 | 10A | 98 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Debussy: En blanc et noir, pour piano à quatre mains, CD 142, L. 134: I. Avec emportement (Live) | Claude Debussy, Martha Argerich, Stephen Kovacevich | D Minor | 0 | 7A | 107 BPM | ||
Romance in F Minor, Op. 5, TH 127 | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | C Major | 2 | 8B | 162 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Barcarolle No.4 in A Flat Major, Op.44 | Gabriel Fauré, Pascal Rogé | F Minor | 0 | 4A | 166 BPM | ||
Symphony in C Minor, EG 119: II. Adagio espressivo | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | E Major | 1 | 12B | 78 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM |
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