Pyotr Ilyich Tchaikovsky, Valentina Lisitsa made "Romance in F Minor, Op. 5, TH 127" available on March 15, 2019. Since Romance in F Minor, Op. 5, TH 127 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 224 in the song's album "Tchaikovsky: The Complete Solo Piano Works". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United Kingdom. The popularity of Romance in F Minor, Op. 5, TH 127 is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Romance in F Minor, Op. 5, TH 127 by Pyotr Ilyich Tchaikovsky, Valentina Lisitsa having a BPM of 162 with a half-time of 81 BPM and a double-time of 324 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Albumblatter, Op. 124: Schlummerlied | Robert Schumann, Dénes Várjon | B♭ Major | 1 | 6B | 146 BPM | ||
Polonaise in B flat minor 'Adieu' | Garrick Ohlsson | B♭ Minor | 1 | 3A | 77 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act 1 "The Spell": No. 6, Waltz (Arr. Rachmaninov for Piano 4-Hands) | Pyotr Ilyich Tchaikovsky, Alexandre Tharaud, Alexander Melnikov | D Minor | 1 | 7A | 90 BPM | ||
Fantasiestücke, Op. 12: III. Warum? | Robert Schumann, Martha Argerich | D♭ Major | 0 | 3B | 136 BPM | ||
Lyric Pieces IV, Op. 47: No. 3 Melodie | Edvard Grieg, Mikhail Pletnev | D Minor | 0 | 7A | 131 BPM | ||
Pictures at an Exhibition: Promenade V | Modest Mussorgsky, Khatia Buniatishvili | F Major | 1 | 7B | 101 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
10 Pieces for Piano, Op. 24: Romance, No. 9 | Jean Sibelius, Leif Ove Andsnes | D♭ Major | 0 | 3B | 69 BPM | ||
Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio | Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | A Major | 1 | 11B | 80 BPM | ||
Sonata op. 166: Andantino | Camille Saint-Saëns, Pauline Oostenrijk, Ivo Janssen | D Major | 1 | 10B | 137 BPM |
Section: 0.7858386039733887
End: 0.7897989749908447