"Take Him, Earth, for Cherishing" by Herbert Howells, Tenebrae, Nigel Short was released on July 25, 2011. Since Take Him, Earth, for Cherishing is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Tenebrae, Nigel Short's "Hubert Parry: Songs of Farewell" album is number 3 out of 15. Take Him, Earth, for Cherishing is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Take Him, Earth, for Cherishing by Herbert Howells, Tenebrae, Nigel Short to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Thank You God for Most This Amazing Day | BYU Singers | C Major | 1 | 8B | 70 BPM | ||
For lo, I raise up, Op. 145 | Charles Villiers Stanford, Oliver Albert, Sophia Halberstam, Queens' College Choir, Cambridge, Silas Wollston | D♭ Major | 2 | 3B | 170 BPM | ||
Motet Jesu Meine Freude (Bwv 227) | Musica Amphion, Gesualdo Consort Amsterdam | E♭ Minor | 1 | 2A | 80 BPM | ||
A Hymn for St. Cecilia | Herbert Howells, Saint Clement's Choir, Philadelphia, Matthew Glandorf, Peter Richard Conte | F Minor | 2 | 4A | 138 BPM | ||
All Night Vigil, Op. 9: No. 18, Bless The Lord, O My Soul | Pavel Chesnokov, PaTRAM Institute Male Choir, Vladimir Gorbik | C Major | 1 | 8B | 127 BPM | ||
2 Sacred Songs: No. 1, Alleluia | Valentin Silvestrov, Latvian Radio Choir, Sigvards Kļava | B♭ Major | 0 | 6B | 138 BPM | ||
Magnificat in B-Flat | Charles Villiers Stanford, Ely Cathedral Choir, Jeremy Filsell, Paul Trepte | B♭ Major | 1 | 6B | 131 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 3, Lullaby | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | C Major | 1 | 8B | 111 BPM | ||
Legend (The Crown of Roses) | Pyotr Ilyich Tchaikovsky, Tenebrae, Nigel Short | E Minor | 0 | 9A | 126 BPM | ||
Mass in G Major, FP 89: I. Kyrie | Francis Poulenc, Tenebrae, Nigel Short | C Minor | 3 | 5A | 133 BPM |
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