Ricky Ian Gordon, Frank Bidart, Nathan Gunn, Jennifer Zetlan, Lidiya Yankovskaya's 'Dearest, I remember how at eighteen' had a release date set for September 25, 2020. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 21 out of 22 in Ellen West by Ricky Ian Gordon, Frank Bidart, Nathan Gunn, Jennifer Zetlan, Lidiya Yankovskaya. Dearest, I remember how at eighteen is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Dearest, I remember how at eighteen by Ricky Ian Gordon, Frank Bidart, Nathan Gunn, Jennifer Zetlan, Lidiya Yankovskaya is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sogno d'or, SC 82 (Arr. for Voice & Orchestra by Johannes X. Schachtner) | Giacomo Puccini, Charles Castronovo, Munich Radio Orchestra, Ivan Repušić | G Major | 2 | 9B | 74 BPM | ||
Puts: The Hours, Act 1: "Go Slowly. Ignore Your Novel" (Virginia, Clarissa, Chorus, Leonard) [Live] | Kevin Puts, Yannick Nézet-Séguin, Joyce DiDonato, Metropolitan Opera Chorus, Renée Fleming, Sean Panikkar, Metropolitan Opera Orchestra | A Major | 1 | 11B | 79 BPM | ||
Gypsy Songs, Op. 55: No. 4, Když Mne Stará Matka Zpívat | Charlotte Hoather | D Major | 1 | 10B | 67 BPM | ||
Dhabitude | Channing Geoffrey | E Minor | 2 | 9A | 107 BPM | ||
Evensong | Liza Lehmann, Steuart Bedford, Catherine Wyn-Rogers | A♭ Major | 0 | 4B | 75 BPM | ||
6 Lieder, Op. 1: No. 1. Schwanenlied | Fanny Mendelssohn, Dorothea Craxton, Babette Dorn | G Minor | 0 | 6A | 131 BPM | ||
Portrait Aria | Wolfgang Amadeus Mozart | A Major | 1 | 11B | 80 BPM | ||
The Pirates of Penzance: When the Foe-Man Bares His Steel | Marilyn Hill Smith, Patricia Cameron, Simon Masterson Smith | D Major | 3 | 10B | 59 BPM | ||
Sept mélodies, Op. 2: II. Le charme | Ernest Chausson, Véronique Gens, Susan Manoff | F Major | 1 | 7B | 118 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Ailyn Perez, Iain Burnside | E Major | 1 | 12B | 78 BPM |