Johann Sebastian Bach, Emerson String Quartet made "The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 12b" available on October 12, 2021. With The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 12b being less than two minutes long, at 1:53, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 314 out of 450 in Classics for Autumn: Bach by Johann Sebastian Bach, Various Artists. In terms of popularity, The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 12b is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of The Art Of Fugue, BWV 1080 - Version For String Quartet: Contrapunctus 12b by Johann Sebastian Bach, Emerson String Quartet is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Lyric Pieces, Book 5, Op. 54: Nocturne | Edvard Grieg, Alessio Bax | C Major | 0 | 8B | 72 BPM | ||
Languet anima mea BWV deest 1006: IV. Aria: Tu lumen mentis es | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | E♭ Minor | 2 | 2A | 74 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): I. Adagio | Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt | D Minor | 4 | 7A | 120 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
Bach, JS: Piano Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, Andrei Gavrilov, John Constable, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 2 | 7B | 97 BPM | ||
Goldberg Variations, BWV 988: Var. 1 | Johann Sebastian Bach, Murray Perahia | G Major | 3 | 9B | 106 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM |
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