Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt made "Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): I. Adagio" available on July 1, 2016. The duration of Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): I. Adagio is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): I. Adagio's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 14 in Bach: Viola da gamba Sonatas by Daniel Müller-Schott, Angela Hewitt. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): I. Adagio's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Viola da gamba Sonata in D Major, BWV 1028 (Arr. for Cello & Piano): I. Adagio by Anonymous, Johann Sebastian Bach, Daniel Müller-Schott, Angela Hewitt is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Am Abend aber desselbigen Sabbats, BWV 42: Sinfonia | Johann Sebastian Bach, Yukari Nonoshita, Robin Blaze, James Gilchrist, Dominik Worner, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | F♯ Major | 1 | 2B | 78 BPM | ||
Cello Sonata in F Minor: II. Cantabile | Luigi Boccherini, Christian Benda, Sebastian Benda | C Minor | 1 | 5A | 88 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | ||
Präludium, H-U 214 | Fanny Mendelssohn, Sontraud Speidel | C Major | 3 | 8B | 165 BPM | ||
Troisième livre: La Forqueray | Jacques Duphly, Christophe Rousset | E Minor | 5 | 9A | 105 BPM | ||
The Well-Tempered Clavier, Book I, BWV 846-869 - Fugue No. 4 in C-sharp Minor, BWV 849 | Classical Coterie | D♭ Major | 1 | 3B | 135 BPM | ||
3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.8 in E flat minor BWV853 | Daniel Barenboim | A♭ Minor | 0 | 1A | 70 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846 | Luc Beauséjour | A♭ Minor | 4 | 1A | 132 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM |
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