Antonio Vivaldi, Olga Hegedus, Rodney Slatford, John Constable, John Alldis Choir, English Chamber Orchestra, Vittorio Negri made "Gloria in D Major, RV 589 (Rev. Negri): XI. Quoniam tu solus sanctus" available on January 1, 2012. With Gloria in D Major, RV 589 (Rev. Negri): XI. Quoniam tu solus sanctus being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Vivaldi: Le Quattro Stagioni by Antonio Vivaldi, Roberto Michelucci, I Musici, English Chamber Orchestra, Vittorio Negri. The song's track number on the album is #22 out of 23 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Based on our statistics, Gloria in D Major, RV 589 (Rev. Negri): XI. Quoniam tu solus sanctus's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Gloria in D Major, RV 589 (Rev. Negri): XI. Quoniam tu solus sanctus by Antonio Vivaldi, Olga Hegedus, Rodney Slatford, John Constable, John Alldis Choir, English Chamber Orchestra, Vittorio Negri has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Gloria in D Major, RV 589 (Rev. Negri): XI. Quoniam tu solus sanctus being at 135 BPM, the half-time would be 68 BPM with a double-time of 270 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124] | Carl Philipp Emanuel Bach, Giovanni Mazzocchin | E♭ Major | 1 | 5B | 113 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
6 Moments musicaux, Op. 94, D. 780: 3. Allegro moderato | Franz Schubert, Alfred Brendel | G Minor | 0 | 6A | 103 BPM | ||
Piano Sonata No. 17 In D Minor, Op. 31, No. 2 -"The Tempest": 3. Allegretto - Live | Ludwig van Beethoven, András Schiff | G Minor | 1 | 6A | 137 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
The Hebrides, Op. 26 (Fingal's Cave) | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM | ||
12 Concertos, Op. 3 - "L'estro armonico" / Concerto No. 4 in E minor for 4 Violins, RV 550: 3. Adagio | Antonio Vivaldi, Pina Carmirelli, Anna Maria Cotogni, Pasquale Pellegrino, Claudio Buccarella, I Musici | D♭ Major | 3 | 3B | 98 BPM | ||
Symphony No. 7 in A major, Op. 92: II. Allegretto | Nicolaus Esterhazy Sinfonia | E Minor | 0 | 9A | 143 BPM |
Section: 0.6690447330474854
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