"La bohème, SC 67: Dunque è proprio finita" by Giacomo Puccini, Jonathan Tetelman, Federica Lombardi, Marina Monzó, Theodore Platt, PKF – Prague Philharmonia, Carlo Rizzi was released on September 29, 2023. La bohème, SC 67: Dunque è proprio finita is about six minutes long, preciously at 5:39, making this song fairly long compared to other songs. There are a total of 15 in the song's album "The Great Puccini". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. The popularity of La bohème, SC 67: Dunque è proprio finita is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La bohème, SC 67: Dunque è proprio finita by Giacomo Puccini, Jonathan Tetelman, Federica Lombardi, Marina Monzó, Theodore Platt, PKF – Prague Philharmonia, Carlo Rizzi having a BPM of 180 with a half-time of 90 BPM and a double-time of 360 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Werther: Toute mon âme est là – Pourquoi me réveiller | Jules Massenet, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | F♯ Minor | 2 | 11A | 67 BPM | ||
Bellini: Norma, Act 1: "Meco all'altar di Venere" (Pollione) | Vincenzo Bellini, Franco Corelli, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | G Major | 3 | 9B | 75 BPM | ||
La Sonnambula / Act 1: Viva! viva! viva! viva! Amina! | Vincenzo Bellini, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Major | 2 | 7B | 86 BPM | ||
Puccini: Turandot, Act 3 Scene 1: "Tu, che di gel sei cinta" (Liù, La Folla, Calaf, Timur, Ping) | Giacomo Puccini, Franco Corelli, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | E♭ Minor | 1 | 2A | 80 BPM | ||
Lakmé / Flower Duet: Dôme épais le jasmin ... Sous le dôme épais | Léo Delibes, Nadine Sierra, Pretty Yende, Les Frivolités Parisiennes, Giacomo Sagripanti | F Major | 1 | 7B | 82 BPM | ||
La Cenerentola / Act 2: "Scusate, amici" | Gioachino Rossini, Alessandro Corbelli, Enzo Dara, William Matteuzzi, Fernanda Costa, Cecilia Bartoli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
Messa di Gloria, Op.posth., Sanctus & Benedictus: Sanctus Dominus Deus sabaoth | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | G Major | 1 | 9B | 137 BPM | ||
Strauss, R: Der Rosenkavalier, Op. 59, Act 1: "Di rigori armato il seno" (Singer) | Richard Strauss, Herbert von Karajan, Nicolai Gedda, Philharmonia Orchestra | D♭ Major | 1 | 3B | 71 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Verrano a te sull'aura i miei sospiri ardenti" (Lucia, Edgardo) | Gaetano Donizetti, Maria Callas, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Francesca da Rimini, Op. 4: Perché volete voi ch'io rinnovi | Riccardo Zandonai, Vida Miknevičiūtė, Jonathan Tetelman, Capella Cracoviensis, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | F Major | 1 | 7B | 169 BPM |
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