Stravinsky: Petrushka, Pt. 3 "The Moor's Room": The Moor's Room (1947 Version) - Igor Stravinsky, Yevgeny Svetlanov, Orchestre Philharmonique de Radio France Information

Acousticness: 93%
Danceability: 17%
Energy: 3%
Instrumentalness: 9%
Liveness: 8%
Loudness: 55%
Speechiness: 5%
Valence: 5%
Popularity: 9%
Loudness: -27.099 dB

Summary

"Stravinsky: Petrushka, Pt. 3 "The Moor's Room": The Moor's Room (1947 Version)" by Igor Stravinsky, Yevgeny Svetlanov, Orchestre Philharmonique de Radio France was released on June 3, 2022. The duration of Stravinsky: Petrushka, Pt. 3 "The Moor's Room": The Moor's Room (1947 Version) is about 3 minutes long, at 3:16. Based on our data, "Stravinsky: Petrushka, Pt. 3 "The Moor's Room": The Moor's Room (1947 Version)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Stravinsky: Petrushka - Svetlanov: Poem for Violin". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. Stravinsky: Petrushka, Pt. 3 "The Moor's Room": The Moor's Room (1947 Version) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Stravinsky: Petrushka, Pt. 3 "The Moor's Room": The Moor's Room (1947 Version) BPM

With Stravinsky: Petrushka, Pt. 3 "The Moor's Room": The Moor's Room (1947 Version) by Igor Stravinsky, Yevgeny Svetlanov, Orchestre Philharmonique de Radio France having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Stravinsky: Petrushka, Pt. 3 "The Moor's Room": The Moor's Room (1947 Version) Key

This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Variations On An Original Theme, Op.36 "Enigma": 1. C.A.E. (L'istesso tempo)	Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein	G Minor	0	6A	81 BPM
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht	Richard Strauss, Berliner Philharmoniker, Herbert von Karajan	G Major	1	9B	105 BPM
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied	Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan	C Major	2	8B	100 BPM
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande	Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan	B♭ Major	0	6B	72 BPM
Masquerade Suite: Gallop	Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov	G Major	1	9B	104 BPM
Ma mère l'oye, ballet, M. 62: Prélude: Très lent	Maurice Ravel, Berliner Philharmoniker, Pierre Boulez	G Major	0	9B	90 BPM
Aladdin Suite, Op. 34, FS 89: VII. Negro Dance	Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen	B♭ Major	3	6B	157 BPM
Symphony No. 5, "The Reformation", Op. 107: III. Andante	Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner	G Minor	0	6A	110 BPM
Japanese Suite, Op. 33: III. Dance of the Marionette	Gustav Holst, Ulster Orchestra, Joann Falletta	C Minor	0	5A	177 BPM
Copland: Symphony No. 3: III. Andantino quasi allegretto -	Aaron Copland, San Francisco Symphony, Michael Tilson Thomas	E Minor	0	9A	71 BPM

ISRC: GBPFW2200058
Label: L-M Records/RCA Records

Section: 0.9246294498443604

End: 0.9352989196777344