"12 Capricci Op. 25 Per Violoncello Solo: Moderato Ma Energico" by Wen-Sinn Yang was released on 2001. The duration of 12 Capricci Op. 25 Per Violoncello Solo: Moderato Ma Energico is about 3 minutes long, at 3:20. Based on our data, "12 Capricci Op. 25 Per Violoncello Solo: Moderato Ma Energico" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Piatti: 12 Capricci Op. 25 for Cello solo". In this album, this song's track order is #8. In terms of popularity, 12 Capricci Op. 25 Per Violoncello Solo: Moderato Ma Energico is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 12 Capricci Op. 25 Per Violoncello Solo: Moderato Ma Energico by Wen-Sinn Yang having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata for Cello & Guitar: I. Allegretto comodo | Radamés Gnattali, Wen-Sinn Yang, Franz Halász | E Minor | 1 | 9A | 137 BPM | ||
Grande symphonie militaire: IIIb. Allegro molto | Antoine Bohrer, Max Bohrer, Friedemann Eichhorn, Alexander Hülshoff, Jena Philharmonic Orchestra, Nicolás Pasquet | D Major | 2 | 10B | 144 BPM | ||
Die 7 letzten Worte unseres Erlösers am Kreuze, Hob. XX:1A: Sonata 4. Deus meus, Deus meus, utquid dereliquisti me? (The 7 Last Words) [Arr. for Oboe and String Trio] | Joseph Haydn, Hansjorg Schellenberger, Daniel Giglberger, Hariolf Schlichtig, Wen-Sinn Yang | D♭ Major | 0 | 3B | 140 BPM | ||
Four Scenes of Childhood: II. Promenade | Franz Waxman, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Variations on a Rococo Theme, Op. 33: Theme. Moderato semplice | Pyotr Ilyich Tchaikovsky, Alban Gerhardt, Stefan Blunier, Deutsches Symphonie-Orchester Berlin | E Minor | 1 | 9A | 97 BPM | ||
Serenade for cello and piano op. 63: Marsch. Allegro non troppo | Heinrich Hofmann, Nina Karmon, Oliver Triendl, Stefan Fehlandt, Wen-Sinn Yang, Georg Arzberger | F♯ Major | 2 | 2B | 81 BPM | ||
Cello Concerto in C Minor (spuriously attrib. to Johann Christian Bach): III. Allegro molto energico | Henri Casadesus, Yuli Turovsky, I Musici de Montréal | C Minor | 2 | 5A | 75 BPM | ||
12 Scenes or Caprices, Op. 109: No. 7. Le Caprice | Charles-Auguste de Bériot, Bella Hristova | A Minor | 1 | 8A | 102 BPM | ||
Concerto in B minor for Double-bass and Orchestra: 1. Allegro moderato | Giovanni Bottesini, Odon Racz, Franz Liszt Chamber Orchestra | G Major | 1 | 9B | 92 BPM | ||
Serenade for cello and piano op. 63: Lied. Moderato | Heinrich Hofmann, Nina Karmon, Oliver Triendl, Stefan Fehlandt, Wen-Sinn Yang, Georg Arzberger | F Major | 0 | 7B | 63 BPM |
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