"Serenade for cello and piano op. 63: Marsch. Allegro non troppo" by Heinrich Hofmann, Nina Karmon, Oliver Triendl, Stefan Fehlandt, Wen-Sinn Yang, Georg Arzberger was released on May 12, 2023. The duration of Serenade for cello and piano op. 63: Marsch. Allegro non troppo is about 3 minutes long, at 3:09. Based on our data, "Serenade for cello and piano op. 63: Marsch. Allegro non troppo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Heinrich Hofmann, Oliver Triendl, Nina Karmon, Stefan Fehlandt, Wen-Sinn Yang, Georg Arzberger's "Heinrich Hofmann - Complete Piano Chamber Music" album is number 17 out of 22. On top of that, Germany appears to be the country where this track was created. Serenade for cello and piano op. 63: Marsch. Allegro non troppo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serenade for cello and piano op. 63: Marsch. Allegro non troppo by Heinrich Hofmann, Nina Karmon, Oliver Triendl, Stefan Fehlandt, Wen-Sinn Yang, Georg Arzberger to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romances, Op. 16, TH 95: 1. Berceuse | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | E Major | 0 | 12B | 68 BPM | ||
10 Chorale Preludes, BV B 27: No. 9, Jesus Christus, unser Heiland, BWV 665 | Johann Sebastian Bach, Ferruccio Busoni, Igor Levit | E Minor | 0 | 9A | 72 BPM | ||
Piano Sonata in B-Flat Major, Op. 8 No. 3: II. Minuetto. Allegretto | Muzio Clementi, Howard Shelley | B♭ Major | 0 | 6B | 145 BPM | ||
Scènes d'enfants: III. Jeu 2 | Federico Mompou, Arcadi Volodos | A♭ Minor | 1 | 1A | 81 BPM | ||
La Nursery, 1er recueil, "À Alfred Cortot": No. 3. Églogue | Desire-Emile Inghelbrecht, Lise Boucher | E♭ Major | 0 | 5B | 103 BPM | ||
Lyric Pieces, Op. 65: Salong (Drawing Room) | Edvard Grieg, Einar Steen-Nøkleberg | E Major | 1 | 12B | 69 BPM | ||
Barcarolle No.2 in G Major, Op.41 | Gabriel Fauré, Pascal Rogé | B Major | 0 | 1B | 109 BPM | ||
7 Canciones populares españolas: No. 6, Canción (Arr. Halffter) | Manuel de Falla, Angela Hewitt | G Major | 0 | 9B | 63 BPM | ||
Visions fugitives, Op.22: 10. Ridiculosamente | Sergei Prokofiev, Anna Gourari | B♭ Minor | 0 | 3A | 184 BPM | ||
Sextet for Two Violins, Two Violas and Two Cellos in E Minor, Op. 25: III. Vivace | Heinrich Hofmann, Berolina Ensemble | A Major | 1 | 11B | 135 BPM |
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