"Romances, Op. 16, TH 95: 1. Berceuse" by Pyotr Ilyich Tchaikovsky, Valentina Lisitsa was released on March 15, 2019. The duration of Romances, Op. 16, TH 95: 1. Berceuse is about 3 minutes long, at 3:27. Based on our data, "Romances, Op. 16, TH 95: 1. Berceuse" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 224 in the song's album "Tchaikovsky: The Complete Solo Piano Works". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Romances, Op. 16, TH 95: 1. Berceuse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Romances, Op. 16, TH 95: 1. Berceuse by Pyotr Ilyich Tchaikovsky, Valentina Lisitsa having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Children's Album, Op. 39: No. 21, Sweet Dreams | Pyotr Ilyich Tchaikovsky, Axel Gillison | E Major | 0 | 12B | 70 BPM | ||
Sinfonia In D Major, Wq. 183/1, H. 663 : II. Largo | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | F Major | 0 | 7B | 133 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Saint-Saëns: Valse nonchalante in D-Flat Major, Op. 110 | Camille Saint-Saëns, Bertrand Chamayou | C Major | 1 | 8B | 66 BPM | ||
Les saisons (The Seasons), Op. 37b: II. February: Carnival | Pyotr Ilyich Tchaikovsky, Ilya Rashkovsky | D Minor | 1 | 7A | 133 BPM | ||
Chant du menestrel for Cello and Orchestra, Op. 71 | Alexander Glazunov, Alexander Rudin, Moscow Symphony Orchestra, Igor Golovschin | F♯ Minor | 0 | 11A | 87 BPM |
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