Giovanni Bottesini, Odon Racz, Franz Liszt Chamber Orchestra's 'Concerto in B minor for Double-bass and Orchestra: 1. Allegro moderato' came out on January 29, 2016. Concerto in B minor for Double-bass and Orchestra: 1. Allegro moderato is about six minutes long, preciously at 6:11, making this song fairly long compared to other songs. The song is number 7 out of 9 in Concertos for Double Bass by Odon Racz, Franz Liszt Chamber Orchestra. In terms of popularity, Concerto in B minor for Double-bass and Orchestra: 1. Allegro moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto in B minor for Double-bass and Orchestra: 1. Allegro moderato by Giovanni Bottesini, Odon Racz, Franz Liszt Chamber Orchestra is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in G Minor for Cello & Piano, Op.19: 2. Allegro scherzando | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | A♭ Major | 1 | 4B | 83 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Messa da Requiem: Sequence: Lacrymosa (Solo Quartet, Chorus) | Giovanni Bottesini, Marta Matheu, Gemma Coma-Alabert, Agustin Prunell-Friend, Enric Martinez-Castignani, Joyful Company Of Singers, London Philharmonic Orchestra, Thomas Martin | E♭ Major | 1 | 5B | 108 BPM | ||
Concerto pour violoncelle et orchestre: Sonate 1-2-3 (attaca) | Michel Legrand, Henri Demarquette | E♭ Major | 2 | 5B | 176 BPM | ||
Debussy: Beau Soir, L. 6 | Claude Debussy, Kyung Wha Chung, Kevin Kenner | E Major | 0 | 12B | 107 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1b. Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | D♭ Major | 0 | 3B | 80 BPM | ||
Reverie | Martijn Willers, Olivier Patey, Olivier Thiery, Giovanni Bottesini | E Major | 0 | 12B | 79 BPM | ||
Schubert: Piano Sonata No. 20 in A Major, D. 959: II. Andantino | Franz Schubert, Eric Lu | F♯ Minor | 0 | 11A | 66 BPM |
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