Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan's 'Sonata in G Minor for Cello & Piano, Op.19: 2. Allegro scherzando' came out on March 14, 2020. Since Sonata in G Minor for Cello & Piano, Op.19: 2. Allegro scherzando is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 30 in the song's album "Rachmaninov". In this album, this song's track order is #10. Sonata in G Minor for Cello & Piano, Op.19: 2. Allegro scherzando is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata in G Minor for Cello & Piano, Op.19: 2. Allegro scherzando by Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Fantasy, Op. 25: II. Lento assai | Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James Levine | A Minor | 1 | 8A | 82 BPM | ||
Piano Sonata No.14 In C Sharp Minor, Op.27 No.2 -"Moonlight": 2. Allegretto | Ludwig van Beethoven, Daniel Barenboim | D♭ Major | 0 | 3B | 68 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Liebesleid (Love's Sorrow) | Fritz Kreisler, Sergei Rachmaninoff, RueiBin Chen | A Major | 2 | 11B | 98 BPM | ||
Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla Romanza | Edvard Grieg, Frederic Chiu, Pierre Amoyal | A Major | 1 | 11B | 130 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: II. Allegretto quasi menuetto | Johannes Brahms, Maria Kliegel, Kristin Merscher | A Minor | 0 | 8A | 104 BPM | ||
Violin Concerto In D Minor, Op.47: 3. Allegro, ma non tanto | Jean Sibelius, Pinchas Zukerman, London Philharmonic Orchestra, Daniel Barenboim | D Major | 3 | 10B | 105 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: III. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Major | 4 | 8B | 150 BPM | ||
8 Etudes, Op. 42: No. 5 in C-Sharp Minor | Alexander Scriabin, Garrick Ohlsson | A Major | 4 | 11B | 131 BPM | ||
Piano Concerto in C-Sharp Minor, Op. 45: II. Scherzo: Vivaco (Perpetuum mobile) | Amy Beach, Alan Feinberg, Nashville Symphony Orchestra, Kenneth Schermerhorn | A Major | 2 | 11B | 99 BPM |
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